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Aboru Aboye: Pastors Reacts to Tope Alabi’s use of Traditional Religious greetings in her song

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Mixed reactions have continued to trail among some Nigerian pastors on whether the use of ‘Aboru Aboye’ in the viral song by popular gospel singer, Tope Alabi, is proper in a gospel song.

While some of the pastors who spoke with our correspondent saw nothing wrong with Alabi’s choice of lyrics in the viral song, others disagreed, arguing that the singer should not incorporate traditional terminologies into gospel music.

Alabi made headlines last Friday following the release of a song where she was heard singing the words ‘Aboru Aboye,’ terms mostly used by Ifa worshippers when greeting initiates, sometimes referred to as ‘Babalawo’.

Alabi, in the viral video, could be heard singing the lyrics; ‘Emi ni aboru, aboye… abiye ni mi, Oruko mi ni yen. Mo de bo, mo ru, mo ye,” (I am a sacrifice, that’s my name. I am a sacrifice accepted by God, that’s my name).

Her lyrical choices have since gotten many tongues wagging on and off social media.

Tope Alabi
Tope Alabi

However, reacting to the viral video, Pastor Lanre Kayode, Senior Pastor of the Christ Apostolic Church, Shibiri branch, Lagos, said the controversy trailing the video could be blamed on the poor understanding of the Yoruba language by some of her critics.

Pastor Kayode said, “It’s a language thing. I see nothing wrong with what she said. She was simply praising God.”

He argued that another gospel act, Dunsin Oyekan, has a song where he used similar words only sung in the English Language and no one raised an eyebrow.

Oyekan, in the song titled ‘More than a Song, sang the words: ”I am more than a song today, I am a sacrifice…” similar words to Alabi’s but conveyed in a different language.

”Why are people not complaining about that? Is it because he sang in English?

“Why do people not have issues with this? Is it because Tope sang in Yoruba?” Pastor Kayode asked.

He stressed that there is nothing wrong with Tope Alabi’s choice of words. “It’s simply a language thing. Not many people understand Yoruba that well and that’s why they are criticising the song,” he said.

Also speaking with our correspondent, Pastor Tunde Afolabi of the Christ Redemption Church, Ogba, Lagos, kicked against the criticism of Tope Alabi over the Aboru Aboye song saying people probably misinterpreted Alabi’s stance on the use of the ‘Aboru Aboye’ and believed it is and can only be used by traditionists.

He said, ”People believe she is referring to Ifa but I feel she is worshipping her God the best way she knows how. We all have the best ways to worship God.”

Prophet Akinyele Timothy of Celestial Church Of Christ, El morijah Olubukun parish, Ikorodu, also backed Alabi’s use of ‘Aboru Aboye’ words in the viral video.

Prophet Timothy said, ”Tope Alabi was simply praising God. Even the Muslims say ‘Oba Ajoke aye, Asake Orun’. They are also simply praising God. Tope was simply acknowledging God’s might, she was not in any way affirming that she is an Ifa worshipper. I do not see anything wrong in the phrases she used.”

Tope Alabi

However, Pastor (Mrs.) P.S. Otitolaiye of the Mount of Fire Ministries, Ijanikin, was against Alabi’s use of ‘Aboru Aboye’ in a gospel song.

She said Alabi should have refrained from using traditional phrases in her songs, noting that there is no relationship between light and darkness.

In her words, ”Tope Alabi should endeavour not to bring in any traditional phrase into her song because there is no relationship between light and darkness.”

Pastor Otitolaiye, however, added that “the conversation about the intersection of religion and culture in Nigeria is far from over.”

Speaking in the same vein, Pastor Ifeoluwa Fatoki of Divine Grace Baptist Church Ogbomosho, a graduate of African Traditional Religion and World Religion from the Nigerian Baptist Theological Seminary Ogbomoso, argued against the use of ‘Aboru Aboye’.

He said, ”I do not think those words are appropriate in the worship of God because they are not original to Christianity and they already have roots in the worship of Ifa.

”I think there are better words that can be used. To refer to the believer as a sacrifice is okay. But those three words have different connotations. It’s like saying, Eriwo ya… No matter how we paint it, it is not acceptable.

Tope Alabi

”More so, hallelujah, which is the Jewish word for ‘praise Yahweh’ as a word is known in Christianity. It’s like saying, Ifa worshippers now also say hallelujah in their worship.”

General Superintendent, Apostle Adeboye Ajakaiye (JP) of Ile Adura Mose Orimolade Tunolase Cherubim and Seraphim Church, Festac Town, said Tope Alabi was only performing to please her fans as a singer.

Apostle Ajakaiye said, ”Romans 12:2 shows that we live out God’s will when we change our thoughts to God’s thoughts, rather than living as the world dictates. The world will always pressure us to live sinfully and selfishly, but to live the good life God wants from us requires changing how we behave—by changing our thoughts.

”Tope Alabi is an entertainer. From my observations over the years, her performances have always been to please her audience, whether intentionally or not I can’t say. She’s also human that can also make mistakes. From the video that I watched, she was trying to use the word, ‘Aboru, Aboye, Abiye’ positively in her way.

”I know the devil twists the things of God for his own use, but should or can we as children of God, in the light of Romans 12:2 do the same? I think you know the answer. Such thinking has made the Church conform to the world. These days, you can’t distinguish a Christian from the world in all ways, from dressing, talking, use of worldly vibes in Christian songs, dancing, etc. I remember in times past, a word of commitment from a Christian was seen as a bond; now, when you call yourself a Pastor, that’s when people become extra careful in dealing with you.

”Why? It is because we have refused to conform to the instructions of the Lord by allowing such little compromises in the body of Christ. It’s sad, but it’s the current reality. The Church needs to wake up. Luke 18:8 says, however, when the Son of Man comes, will he find faith on the earth? The choice is yours.”

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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Burna Boy Overtakes Tyla as Africa’s Most Streamed Artist on Spotify

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Nigerian Afrobeats superstar Burna Boy has reclaimed the top spot as Africa’s most streamed artist on Spotify, surpassing South African sensation Tyla in a major streaming milestone.

According to the latest Spotify data and charts tracking, Burna Boy (Damini Ebunoluwa Ogulu) has overtaken Tyla to lead the continent in key streaming metrics, including monthly listeners.

The Grammy-winning artist continues his dominance in 2026, building on his record-breaking 2025 performance where he amassed nearly 2 billion streams — the highest ever recorded for an African artist on the platform in a single year.

Burna Boy’s global appeal, driven by hits from his recent projects and consistent catalog performance, has propelled him ahead of Tyla, who had previously held strong positions in monthly listener counts.

This achievement underscores the continued rise of Afrobeats and African music on the world stage, with Nigerian artists dominating Spotify’s top African streaming rankings. Industry watchers note Burna Boy’s ability to maintain massive engagement across international audiences.

Fans and music enthusiasts have taken to social media to celebrate the feat, hailing the “African Giant” for flying the flag high. The development further cements Burna Boy’s status as one of the most influential voices in contemporary African music.

Spotify is yet to issue an official statement on the latest shift, but the numbers speak volumes about the fierce competition and growing global appetite for African sounds.

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