Entertainment
Aboru Aboye: Pastors Reacts to Tope Alabi’s use of Traditional Religious greetings in her song
Mixed reactions have continued to trail among some Nigerian pastors on whether the use of ‘Aboru Aboye’ in the viral song by popular gospel singer, Tope Alabi, is proper in a gospel song.
While some of the pastors who spoke with our correspondent saw nothing wrong with Alabi’s choice of lyrics in the viral song, others disagreed, arguing that the singer should not incorporate traditional terminologies into gospel music.
Alabi made headlines last Friday following the release of a song where she was heard singing the words ‘Aboru Aboye,’ terms mostly used by Ifa worshippers when greeting initiates, sometimes referred to as ‘Babalawo’.
Alabi, in the viral video, could be heard singing the lyrics; ‘Emi ni aboru, aboye… abiye ni mi, Oruko mi ni yen. Mo de bo, mo ru, mo ye,” (I am a sacrifice, that’s my name. I am a sacrifice accepted by God, that’s my name).
Her lyrical choices have since gotten many tongues wagging on and off social media.

However, reacting to the viral video, Pastor Lanre Kayode, Senior Pastor of the Christ Apostolic Church, Shibiri branch, Lagos, said the controversy trailing the video could be blamed on the poor understanding of the Yoruba language by some of her critics.
Pastor Kayode said, “It’s a language thing. I see nothing wrong with what she said. She was simply praising God.”
He argued that another gospel act, Dunsin Oyekan, has a song where he used similar words only sung in the English Language and no one raised an eyebrow.
Oyekan, in the song titled ‘More than a Song, sang the words: ”I am more than a song today, I am a sacrifice…” similar words to Alabi’s but conveyed in a different language.
”Why are people not complaining about that? Is it because he sang in English?
“Why do people not have issues with this? Is it because Tope sang in Yoruba?” Pastor Kayode asked.
He stressed that there is nothing wrong with Tope Alabi’s choice of words. “It’s simply a language thing. Not many people understand Yoruba that well and that’s why they are criticising the song,” he said.
Also speaking with our correspondent, Pastor Tunde Afolabi of the Christ Redemption Church, Ogba, Lagos, kicked against the criticism of Tope Alabi over the Aboru Aboye song saying people probably misinterpreted Alabi’s stance on the use of the ‘Aboru Aboye’ and believed it is and can only be used by traditionists.
He said, ”People believe she is referring to Ifa but I feel she is worshipping her God the best way she knows how. We all have the best ways to worship God.”
Prophet Akinyele Timothy of Celestial Church Of Christ, El morijah Olubukun parish, Ikorodu, also backed Alabi’s use of ‘Aboru Aboye’ words in the viral video.
Prophet Timothy said, ”Tope Alabi was simply praising God. Even the Muslims say ‘Oba Ajoke aye, Asake Orun’. They are also simply praising God. Tope was simply acknowledging God’s might, she was not in any way affirming that she is an Ifa worshipper. I do not see anything wrong in the phrases she used.”

However, Pastor (Mrs.) P.S. Otitolaiye of the Mount of Fire Ministries, Ijanikin, was against Alabi’s use of ‘Aboru Aboye’ in a gospel song.
She said Alabi should have refrained from using traditional phrases in her songs, noting that there is no relationship between light and darkness.
In her words, ”Tope Alabi should endeavour not to bring in any traditional phrase into her song because there is no relationship between light and darkness.”
Pastor Otitolaiye, however, added that “the conversation about the intersection of religion and culture in Nigeria is far from over.”
Speaking in the same vein, Pastor Ifeoluwa Fatoki of Divine Grace Baptist Church Ogbomosho, a graduate of African Traditional Religion and World Religion from the Nigerian Baptist Theological Seminary Ogbomoso, argued against the use of ‘Aboru Aboye’.
He said, ”I do not think those words are appropriate in the worship of God because they are not original to Christianity and they already have roots in the worship of Ifa.
”I think there are better words that can be used. To refer to the believer as a sacrifice is okay. But those three words have different connotations. It’s like saying, Eriwo ya… No matter how we paint it, it is not acceptable.

”More so, hallelujah, which is the Jewish word for ‘praise Yahweh’ as a word is known in Christianity. It’s like saying, Ifa worshippers now also say hallelujah in their worship.”
General Superintendent, Apostle Adeboye Ajakaiye (JP) of Ile Adura Mose Orimolade Tunolase Cherubim and Seraphim Church, Festac Town, said Tope Alabi was only performing to please her fans as a singer.
Apostle Ajakaiye said, ”Romans 12:2 shows that we live out God’s will when we change our thoughts to God’s thoughts, rather than living as the world dictates. The world will always pressure us to live sinfully and selfishly, but to live the good life God wants from us requires changing how we behave—by changing our thoughts.
”Tope Alabi is an entertainer. From my observations over the years, her performances have always been to please her audience, whether intentionally or not I can’t say. She’s also human that can also make mistakes. From the video that I watched, she was trying to use the word, ‘Aboru, Aboye, Abiye’ positively in her way.
”I know the devil twists the things of God for his own use, but should or can we as children of God, in the light of Romans 12:2 do the same? I think you know the answer. Such thinking has made the Church conform to the world. These days, you can’t distinguish a Christian from the world in all ways, from dressing, talking, use of worldly vibes in Christian songs, dancing, etc. I remember in times past, a word of commitment from a Christian was seen as a bond; now, when you call yourself a Pastor, that’s when people become extra careful in dealing with you.
”Why? It is because we have refused to conform to the instructions of the Lord by allowing such little compromises in the body of Christ. It’s sad, but it’s the current reality. The Church needs to wake up. Luke 18:8 says, however, when the Son of Man comes, will he find faith on the earth? The choice is yours.”
Entertainment
Popular US actress Imani Dia Smith Stabbed To Death
Smith’s 35-year-old boyfriend, Jordan D. Jackson-Small, has been arrested and charged in connection with her death
Imani Dia Smith, a Broadway actor best known for playing Young Nala in the stage adaptation of ‘The Lion King’, was stabbed to death at her residence in New Jersey. She was 25 years old.
According to a statement by the Middlesex County Prosecutor’s Office, authorities responded to a 911 call reported a stabbing at a residence on Grove Avenue at 9:18 a.m. on December 21.
“Upon their arrival to a residence on Grove Avenue, they discovered Imani Smith, 26, of Edison with stab wounds,” the release stated.
“Smith was transported to Robert Wood Johnson University Hospital, where she was ultimately pronounced deceased.”
Smith’s 35-year-old boyfriend, Jordan D. Jackson-Small, has been arrested and charged in connection with her death.
“Moreover, Smith and Jackson-Small knew each other before the incident; thus, it was not a random act of violence,” the prosecutor’s office said.
Entertainment
Grammys to honour Fela with special merit award
The Recording Academy described Fela as the “architect of Afrobeat,” noting that the late musician is among ten people to be honoured with the special award.
Afrobeat pioneer Fela Anikulapo-Kuti will be honoured with a special merit award at the 2026 Grammy Awards.
The organisers of the prestigious award, Recording Academy, announced this via a post on Instagram on Friday, December 19, 2025.
The Recording Academy described Fela as the “architect of Afrobeat,” noting that the late musician is among ten people to be honoured with the special award.
The academy said the Afrobeat legend will be honoured with a Recording Academy Lifetime Achievement Award on January 31, 2026.
Entertainment
Gbenga Bada Urges NIJ Students: Embrace Passion, Professionalism in Entertainment Reporting
Seasoned Nigerian entertainment journalist Gbenga Bada has called on students of the Nigerian Institute of Journalism (NIJ) to approach entertainment reporting with unwavering passion and strict adherence to professional standards.
Speaking at a recent engagement with students at the prestigious journalism institution in Ogba, Lagos, Bada, who serves as Assistant Entertainment Editor at *The Nation* newspaper, emphasized that the dynamic field of entertainment journalism demands more than mere reporting—it requires genuine enthusiasm and ethical rigor to stand out in an increasingly competitive media landscape.
“Entertainment reporting is not just about chasing headlines or celebrity gossip,” Bada reportedly told the aspiring journalists. “It thrives on passion for the arts, culture, and stories that shape our society, combined with the professionalism that ensures accuracy, fairness, and credibility.
“Bada, known for his in-depth coverage of Nigeria’s vibrant entertainment industry—including music, film, and celebrity features—drew from his extensive experience to inspire the students.
He highlighted the importance of building strong ethical foundations amid the rise of digital media and social platforms, where misinformation can spread rapidly.
The session, part of NIJ’s ongoing efforts to bridge the gap between academia and industry practice, resonated with attendees, who praised Bada’s practical insights into navigating the challenges and opportunities in entertainment journalism.
As Nigeria’s creative sector continues to grow globally, voices like Bada’s underscore the need for a new generation of reporters equipped not only with skills but with the drive to elevate the profession.
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