Entertainment
Aboru Aboye: Pastors Reacts to Tope Alabi’s use of Traditional Religious greetings in her song

Mixed reactions have continued to trail among some Nigerian pastors on whether the use of ‘Aboru Aboye’ in the viral song by popular gospel singer, Tope Alabi, is proper in a gospel song.
While some of the pastors who spoke with our correspondent saw nothing wrong with Alabi’s choice of lyrics in the viral song, others disagreed, arguing that the singer should not incorporate traditional terminologies into gospel music.
Alabi made headlines last Friday following the release of a song where she was heard singing the words ‘Aboru Aboye,’ terms mostly used by Ifa worshippers when greeting initiates, sometimes referred to as ‘Babalawo’.
Alabi, in the viral video, could be heard singing the lyrics; ‘Emi ni aboru, aboye… abiye ni mi, Oruko mi ni yen. Mo de bo, mo ru, mo ye,” (I am a sacrifice, that’s my name. I am a sacrifice accepted by God, that’s my name).
Her lyrical choices have since gotten many tongues wagging on and off social media.

However, reacting to the viral video, Pastor Lanre Kayode, Senior Pastor of the Christ Apostolic Church, Shibiri branch, Lagos, said the controversy trailing the video could be blamed on the poor understanding of the Yoruba language by some of her critics.
Pastor Kayode said, “It’s a language thing. I see nothing wrong with what she said. She was simply praising God.”
He argued that another gospel act, Dunsin Oyekan, has a song where he used similar words only sung in the English Language and no one raised an eyebrow.
Oyekan, in the song titled ‘More than a Song, sang the words: ”I am more than a song today, I am a sacrifice…” similar words to Alabi’s but conveyed in a different language.
”Why are people not complaining about that? Is it because he sang in English?
“Why do people not have issues with this? Is it because Tope sang in Yoruba?” Pastor Kayode asked.
He stressed that there is nothing wrong with Tope Alabi’s choice of words. “It’s simply a language thing. Not many people understand Yoruba that well and that’s why they are criticising the song,” he said.
Also speaking with our correspondent, Pastor Tunde Afolabi of the Christ Redemption Church, Ogba, Lagos, kicked against the criticism of Tope Alabi over the Aboru Aboye song saying people probably misinterpreted Alabi’s stance on the use of the ‘Aboru Aboye’ and believed it is and can only be used by traditionists.
He said, ”People believe she is referring to Ifa but I feel she is worshipping her God the best way she knows how. We all have the best ways to worship God.”
Prophet Akinyele Timothy of Celestial Church Of Christ, El morijah Olubukun parish, Ikorodu, also backed Alabi’s use of ‘Aboru Aboye’ words in the viral video.
Prophet Timothy said, ”Tope Alabi was simply praising God. Even the Muslims say ‘Oba Ajoke aye, Asake Orun’. They are also simply praising God. Tope was simply acknowledging God’s might, she was not in any way affirming that she is an Ifa worshipper. I do not see anything wrong in the phrases she used.”

However, Pastor (Mrs.) P.S. Otitolaiye of the Mount of Fire Ministries, Ijanikin, was against Alabi’s use of ‘Aboru Aboye’ in a gospel song.
She said Alabi should have refrained from using traditional phrases in her songs, noting that there is no relationship between light and darkness.
In her words, ”Tope Alabi should endeavour not to bring in any traditional phrase into her song because there is no relationship between light and darkness.”
Pastor Otitolaiye, however, added that “the conversation about the intersection of religion and culture in Nigeria is far from over.”
Speaking in the same vein, Pastor Ifeoluwa Fatoki of Divine Grace Baptist Church Ogbomosho, a graduate of African Traditional Religion and World Religion from the Nigerian Baptist Theological Seminary Ogbomoso, argued against the use of ‘Aboru Aboye’.
He said, ”I do not think those words are appropriate in the worship of God because they are not original to Christianity and they already have roots in the worship of Ifa.
”I think there are better words that can be used. To refer to the believer as a sacrifice is okay. But those three words have different connotations. It’s like saying, Eriwo ya… No matter how we paint it, it is not acceptable.

”More so, hallelujah, which is the Jewish word for ‘praise Yahweh’ as a word is known in Christianity. It’s like saying, Ifa worshippers now also say hallelujah in their worship.”
General Superintendent, Apostle Adeboye Ajakaiye (JP) of Ile Adura Mose Orimolade Tunolase Cherubim and Seraphim Church, Festac Town, said Tope Alabi was only performing to please her fans as a singer.
Apostle Ajakaiye said, ”Romans 12:2 shows that we live out God’s will when we change our thoughts to God’s thoughts, rather than living as the world dictates. The world will always pressure us to live sinfully and selfishly, but to live the good life God wants from us requires changing how we behave—by changing our thoughts.
”Tope Alabi is an entertainer. From my observations over the years, her performances have always been to please her audience, whether intentionally or not I can’t say. She’s also human that can also make mistakes. From the video that I watched, she was trying to use the word, ‘Aboru, Aboye, Abiye’ positively in her way.
”I know the devil twists the things of God for his own use, but should or can we as children of God, in the light of Romans 12:2 do the same? I think you know the answer. Such thinking has made the Church conform to the world. These days, you can’t distinguish a Christian from the world in all ways, from dressing, talking, use of worldly vibes in Christian songs, dancing, etc. I remember in times past, a word of commitment from a Christian was seen as a bond; now, when you call yourself a Pastor, that’s when people become extra careful in dealing with you.
”Why? It is because we have refused to conform to the instructions of the Lord by allowing such little compromises in the body of Christ. It’s sad, but it’s the current reality. The Church needs to wake up. Luke 18:8 says, however, when the Son of Man comes, will he find faith on the earth? The choice is yours.”
Entertainment
Google Launches Gemini Storybook for Nigerian children aged 6 and below
Storybook allows you to place a child directly at the centre of their own learning adventure, which is key to holding their attention and helping them grasp new concepts.

Google has launched Storybook, a new feature within its Gemini app, aimed at providing a creative and interactive learning tool for Nigeria’s 39 million children aged six and under.
Taiwo Kola-Ogunlade, communications & public affairs manager for Google in West Africa, said that the AI-powered feature transforms simple prompts, personal photos, and children’s drawings into customised, narrated storybooks, bridging a critical gap in early childhood education through technology rooted in storytelling.
This launch provides a powerful new creative tool in Nigeria, a country with a rich and deep-rooted tradition of storytelling.
With a young population that includes approximately 39 million children aged six and under, the need for engaging and accessible educational content is more critical than ever.
Storybook is designed to help bridge this gap by empowering anyone to create personalised learning experiences.
“It addresses a real need for parents and educators who are looking for fresh ways to captivate the minds of our youngest learners. The challenge is often making education interactive and personal.
Storybook allows you to place a child directly at the centre of their own learning adventure, which is key to holding their attention and helping them grasp new concepts,” he said.
Entertainment
Gen Z Slang: Bet, Simp, Glow Up and More
I’m Dead: When something’s really funny, Gen Z won’t just say “lol.” They’ll say “I’m dead,” meaning something is so funny it killed them with laughter, rather than just typing “lol.”

image credit : howstuffworks
Language evolves, and Gen Z — born between the 1997 and 2012 — has introduced an entire dictionary of expressive, clever, and sometimes confusing slang.
These Gen Z slang terms dominate social media platforms, group chats, and online video game lobbies.
Here’s a breakdown of the phrases you’ll hear from this generation.
- 1. No Cap: Used to express truth, “no cap” means someone is being honest or serious. If you say, “This new song is fire, no cap,” you’re saying the song is great (fire) and you truly believe it.
- 2. Bet
- Bet is a casual way of saying “OK” or “I’m down.” It’s a quick response that shows agreement or enthusiasm. You might use it instead of “sure thing” in real life or online.
- 3. Simp
- Originating in Black American hip-hop slang, simp became a derogatory term for a man perceived as overly subservient to a woman in the hope of winning her affection. Saying, “You’re such a simp,” carries negative connotations, especially in a romantic relationship context.
- 4. Main Character
- To describe someone as the “main character” is to say they carry themselves like the star of a movie. It’s both a compliment and a slight knock, depending on tone — often used in social media captions and stories.
- 5. Glow Up
- A “glow up” refers to a transformation — usually physical or stylistic — that makes someone look or feel better than before. This phrase is a great example of Gen Z’s thirst for self-improvement and style.
- 6.Cringe
- Cringe is used to describe anything awkward, embarrassing, or trying too hard. If your Baby Boomer uncle uses Gen Z slang words unironically, that might earn a “yikes” or a full-on “big yikes” from the group.
- 7. Touch Grass
- A favorite insult among Gen Z, to tell someone to touch grass means they’re online too much and need to get back to real life. It’s a witty way to say “log off and go outside.”
- 8. Vibe Check
- “Vibe check” is all about gauging someone’s mood or the feel of a space. Passed the vibe check? You’re cool. Failed it? Time to reassess your energy.
- 9. Whole Meal
- Calling someone a whole meal is a step beyond calling them attractive. It’s a bold phrase used to express approval or attraction: “She’s not just cute, she’s a whole meal.
- 10. I’m Dead
- When something’s really funny, Gen Z won’t just say “lol.” They’ll say “I’m dead,” meaning something is so funny it killed them with laughter, rather than just typing “lol.”
- In other words, this is the Gen Z equivalent of using a crying-laughing emoji to show something is hilarious. It shows they’re expressing excitement and humor in a big way.
- Source: HowStuffWorks
Entertainment
NFVCB June Films top by ROK Studios, Silverbird Distribution, and OSSYKing Movies
62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).

• Nollywood films cast
The National Film and Video Censors Board (NFVCB) approved a total of 151 films for the month of June 2025 against 53 films earlier reported erroneously.
The approval also revealed the growing consistency of top production houses like ROK Studios, Silverbird Distribution, and OSSYKing Movies, which featured prominently in this month’s listings.
Breakdown of classifications from the Censors Board website shows that 71 were classified as rated-18 years, out of the 151 films approved.
62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).
This classification points to a growing shift toward mature, emotionally complex storytelling, with 18-rated titles accounting for nearly half of the approved films.
This classification underscores a noticeable dominance of 18-rated titles and English-language productions.
It also reflects the increasing pace of local film production across regions and genres.
English-language productions accounted for the bulk of the approvals, continuing their stronghold as Nollywood’s dominant medium.
However, a fair share of Yoruba and Igbo titles also made the list, reaffirming the role of indigenous voices in the cinematic landscape.
Notably approved indigenous-language films include Obim (Igbo), Iyawo Eniyan and Ajegunle Lawa (Yoruba) and Itene (Idoma).
There was no hausa-language films approved during the month, marking a recurring gap in representation from the North.However, Itene produced in Idoma, was one of the few from the Middle Belt.Among studios with multiple entries include ROK Studios had a strong presence with films like Perfect Wife, Strings of Love, Hidden Truth and My Sugar Daddy, primarily rated 15 and 18.Silverbird Distribution secured approvals for Rebirth of King Kong and Jurassic World Rebirth, both notable for their international appeal.
OSSYKing Movies had a consistent output with Stray Bullet, Palace of Torment, and The Cost of a Lie, all within the 15–18 range.
The Executive Director of the NFVCB, Dr. Shaibu Husseini reaffirmed the Board’s stance on guiding responsible storytelling and content regulation.
“We are committed to encouraging stories that reflect Nigeria’s values and cultural richness while ensuring public safety through proper classification,” he said.
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