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“I’m unaware of Dagrin’s music royalties” – Trod Reacts on Twitter

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Up-and-coming Nigerian artist Trod, the brother of late rapper Dagrin, took to Twitter to refute claims that he has been siphoning royalties from his brother’s music.

Dagrin tragically passed away in an auto accident over 13 years ago, on April 22, 2010.

I'm unaware of Dagrin's music royalties": Trod calls out the receiver of his late brother Dagrin's music royalties for the past 13 years
A photo of Trod, Dagrin’s brother, calling out those receiving his brother’s music royalties since his death. Source: google

Trod’s response on social media came after accusations arose suggesting that he was secretly benefiting from the proceeds of Dagrin’s songs while their family struggled.

Trod’s response on social media came after accusations arose suggesting that he was secretly benefiting from the proceeds of Dagrin’s songs while their family struggled.

The allegations gained further traction following a recent video in which the mother of Trod and Dagrin appealed to Nigerians for assistance.

In response to the mounting speculation, Trod explicitly stated on Twitter that he has no knowledge of any royalties associated with Dagrin’s music.

He openly challenged anyone who had been receiving royalties since 2010 to come forward and make themselves known.

He wrote;

I dunno shiit about Grins Royalties… The person who has been getting paid for 13 years should come out. DMCE whatever?”

The claims of Trod benefiting from his late brother’s royalties have sparked controversy and raised concerns about the fair distribution of proceeds generated by Dagrin’s music.

The late rapper, known for his contributions to the Nigerian hip-hop scene, left behind a significant body of work that continues to resonate with fans.

It is worth noting that Trod, an up-and-coming singer himself, has denied any involvement in the financial aspects of his brother’s music.

His assertion that he is unaware of the royalties echoes the frustration expressed by fans and concerned individuals who believe that the funds should be rightfully allocated to support Dagrin’s family.

As of now, no concrete evidence has been presented to substantiate the claims of Trod receiving royalties.

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Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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