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Hoodlums attack Fuji singer Obesere, cart away bag of money

The attackers eventually overpowered him and fled with the bag of money

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Fuji music icon Alhaji Abass Akande Obesere and members of his crew were on Friday, November 21, 2025, attacked by hoodlums during a burial ceremony in Okitipupa, Ondo State.

The incident was confirmed in a statement issued by Obesere’s media manager, Ayonla Obesere Althentic, who disclosed that the assault began shortly after the musician concluded his performance and the team was about to depart.

He explained that multiple groups of touts surrounded the venue, with one group targeting him because he was holding a bag containing money.

“Despite our attempt to leave peacefully, my principal and I were aggressively confronted.

“They demanded that I hand over the bag. When I refused, a violent struggle broke out,” he said.

Ayonla recounted sustaining significant injuries, including a dislocated shoulder and several blows, some inflicted with a knife.

“While trying to get into the car, I was hit with a knife.“I cannot confirm a deep stab, but I suffered several blows and I’m in serious pain,” he added.

The attackers eventually overpowered him and fled with the bag of money.

Simultaneously, another group assaulted Obesere even after he attempted to calm the situation by giving out money.

Ayonla said that he managed to guide the musician into their vehicle to ensure his safety and access to medical attention.

He condemned the attack as “criminal and unacceptable,” noting that violence against performers and mourners at a burial ceremony should not be tolerated.

The media manager confirmed that the matter had been reported to the Okitipupa Police Division and called on authorities to conduct a thorough investigation and bring the perpetrators to justice.

(From The Star.ng)

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Entertainment

‘God Took Him’ — Singer Niniola Announces Death of Husband Michael Ndika

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Nigerian Afro-house star Niniola Apata has announced the heartbreaking death of her husband, Michael Ndika, after 13 years of marriage.

The Grammy-nominated artist shared the sad news in a series of emotional Instagram Stories posted in the early hours of Wednesday, May 20, 2026.

“God took him,” Niniola wrote in one post. “My husband died,” she added in another, while expressing deep grief in a third: “God took him. 13 years. 13 f***ing years.”

Michael Ndika, also known as Big Mike or X.O, served as Niniola’s manager and was the Chief Executive Officer of NaijaReview, a multimedia platform promoting Afro-house and contemporary African music. The couple had kept their marriage largely private, surprising many fans who were unaware of the union.

No details have been released about the cause of Ndika’s death. Tributes and messages of condolence have poured in from fans, fellow artists, and the music community, including her sister, singer Teni.

Niniola, celebrated for hits like “Maradona” and her contributions to the Afro-house genre, is now receiving an outpouring of support as she mourns the loss of her longtime partner.

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Wizkid Becomes First African Artist to Surpass 11 Billion Spotify Streams

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Nigerian Afrobeats superstar Wizkid (Ayodeji Balogun) has etched his name deeper into music history, becoming the first African artist to surpass 11 billion total streams on Spotify across all credits.

The milestone was announced on Tuesday by music data platform Charts Africa, which noted that Wizkid has now claimed every major Spotify streaming benchmark for African artists—from 1 billion to 11 billion streams.

This latest achievement underscores Wizkid’s unparalleled dominance as the most-streamed African act on the platform. His catalog, boosted by global hits like “Essence” with Tems and his feature on Drake’s “One Dance,” continues to drive massive numbers. He also leads other top African acts, with Burna Boy at around 9.8 billion and Davido trailing further behind.

The timing coincides with the recent release of his collaboration “State of Mind” with DJ Tunez, which quickly racked up hundreds of thousands of streams. Industry observers project that Wizkid’s consistent daily streaming velocity will keep pushing his totals higher.

Fans and industry figures have flooded social media with congratulations, hailing the feat as a proud moment for Afrobeats and Nigerian music on the global stage. Wizkid’s previous breakthroughs, including becoming the first African artist to hit 10 billion streams earlier in 2026, had already positioned him as a continental trailblazer.

This 11 billion milestone further solidifies his status among the world’s streaming heavyweights and highlights the growing international commercial power of Afrobeats.

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NFVCB Approves 304 Nollywood’s New Films

English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.

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The National Film and Video Censors Board (NFVCB) declared that it approved and classified 304 films between January and April 2026.

In a statement, Director of Film Censorship and Classification at the board, Deborah Malgwi, said that the figure represented an increase from the 267 films classified during the same period in 2025.

Classification data released by the board shows that January 2026 recorded the highest number of approvals with 102 films, followed by 83 in February, 77 in March and 42 in April.

In comparison, the board classified 25 films in January 2025, 58 in February, 114 in March and 70 in April of the same year.

The statistics also showed that English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.

Further analysis indicated that most productions fell within the “15” and “18” age categories, reflecting prevailing themes in contemporary film productions.

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