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Aboru Aboye: Pastors Reacts to Tope Alabi’s use of Traditional Religious greetings in her song

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Mixed reactions have continued to trail among some Nigerian pastors on whether the use of ‘Aboru Aboye’ in the viral song by popular gospel singer, Tope Alabi, is proper in a gospel song.

While some of the pastors who spoke with our correspondent saw nothing wrong with Alabi’s choice of lyrics in the viral song, others disagreed, arguing that the singer should not incorporate traditional terminologies into gospel music.

Alabi made headlines last Friday following the release of a song where she was heard singing the words ‘Aboru Aboye,’ terms mostly used by Ifa worshippers when greeting initiates, sometimes referred to as ‘Babalawo’.

Alabi, in the viral video, could be heard singing the lyrics; ‘Emi ni aboru, aboye… abiye ni mi, Oruko mi ni yen. Mo de bo, mo ru, mo ye,” (I am a sacrifice, that’s my name. I am a sacrifice accepted by God, that’s my name).

Her lyrical choices have since gotten many tongues wagging on and off social media.

Tope Alabi
Tope Alabi

However, reacting to the viral video, Pastor Lanre Kayode, Senior Pastor of the Christ Apostolic Church, Shibiri branch, Lagos, said the controversy trailing the video could be blamed on the poor understanding of the Yoruba language by some of her critics.

Pastor Kayode said, “It’s a language thing. I see nothing wrong with what she said. She was simply praising God.”

He argued that another gospel act, Dunsin Oyekan, has a song where he used similar words only sung in the English Language and no one raised an eyebrow.

Oyekan, in the song titled ‘More than a Song, sang the words: ”I am more than a song today, I am a sacrifice…” similar words to Alabi’s but conveyed in a different language.

”Why are people not complaining about that? Is it because he sang in English?

“Why do people not have issues with this? Is it because Tope sang in Yoruba?” Pastor Kayode asked.

He stressed that there is nothing wrong with Tope Alabi’s choice of words. “It’s simply a language thing. Not many people understand Yoruba that well and that’s why they are criticising the song,” he said.

Also speaking with our correspondent, Pastor Tunde Afolabi of the Christ Redemption Church, Ogba, Lagos, kicked against the criticism of Tope Alabi over the Aboru Aboye song saying people probably misinterpreted Alabi’s stance on the use of the ‘Aboru Aboye’ and believed it is and can only be used by traditionists.

He said, ”People believe she is referring to Ifa but I feel she is worshipping her God the best way she knows how. We all have the best ways to worship God.”

Prophet Akinyele Timothy of Celestial Church Of Christ, El morijah Olubukun parish, Ikorodu, also backed Alabi’s use of ‘Aboru Aboye’ words in the viral video.

Prophet Timothy said, ”Tope Alabi was simply praising God. Even the Muslims say ‘Oba Ajoke aye, Asake Orun’. They are also simply praising God. Tope was simply acknowledging God’s might, she was not in any way affirming that she is an Ifa worshipper. I do not see anything wrong in the phrases she used.”

Tope Alabi1
Tope Alabi

However, Pastor (Mrs.) P.S. Otitolaiye of the Mount of Fire Ministries, Ijanikin, was against Alabi’s use of ‘Aboru Aboye’ in a gospel song.

She said Alabi should have refrained from using traditional phrases in her songs, noting that there is no relationship between light and darkness.

In her words, ”Tope Alabi should endeavour not to bring in any traditional phrase into her song because there is no relationship between light and darkness.”

Pastor Otitolaiye, however, added that “the conversation about the intersection of religion and culture in Nigeria is far from over.”

Speaking in the same vein, Pastor Ifeoluwa Fatoki of Divine Grace Baptist Church Ogbomosho, a graduate of African Traditional Religion and World Religion from the Nigerian Baptist Theological Seminary Ogbomoso, argued against the use of ‘Aboru Aboye’.

He said, ”I do not think those words are appropriate in the worship of God because they are not original to Christianity and they already have roots in the worship of Ifa.

”I think there are better words that can be used. To refer to the believer as a sacrifice is okay. But those three words have different connotations. It’s like saying, Eriwo ya… No matter how we paint it, it is not acceptable.

Tope Alabi2.jjpg
Tope Alabi

”More so, hallelujah, which is the Jewish word for ‘praise Yahweh’ as a word is known in Christianity. It’s like saying, Ifa worshippers now also say hallelujah in their worship.”

General Superintendent, Apostle Adeboye Ajakaiye (JP) of Ile Adura Mose Orimolade Tunolase Cherubim and Seraphim Church, Festac Town, said Tope Alabi was only performing to please her fans as a singer.

Apostle Ajakaiye said, ”Romans 12:2 shows that we live out God’s will when we change our thoughts to God’s thoughts, rather than living as the world dictates. The world will always pressure us to live sinfully and selfishly, but to live the good life God wants from us requires changing how we behave—by changing our thoughts.

”Tope Alabi is an entertainer. From my observations over the years, her performances have always been to please her audience, whether intentionally or not I can’t say. She’s also human that can also make mistakes. From the video that I watched, she was trying to use the word, ‘Aboru, Aboye, Abiye’ positively in her way.

”I know the devil twists the things of God for his own use, but should or can we as children of God, in the light of Romans 12:2 do the same? I think you know the answer. Such thinking has made the Church conform to the world. These days, you can’t distinguish a Christian from the world in all ways, from dressing, talking, use of worldly vibes in Christian songs, dancing, etc. I remember in times past, a word of commitment from a Christian was seen as a bond; now, when you call yourself a Pastor, that’s when people become extra careful in dealing with you.

”Why? It is because we have refused to conform to the instructions of the Lord by allowing such little compromises in the body of Christ. It’s sad, but it’s the current reality. The Church needs to wake up. Luke 18:8 says, however, when the Son of Man comes, will he find faith on the earth? The choice is yours.”

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Entertainment

Davido Releases ‘Already Falling’ Video Featuring Chioma

The release reunites Davido and Chioma with Alabi, who directed them in ‘Assurance’, Davido’s 2018 song dedicated to Chioma.

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Afrobeats singer Davido has released the official music video for ‘Already Falling’, featuring his wife, Chioma Adeleke, in a production combining French chateau scenery, elaborate costumes and Nigerian-inspired styling.

Directed by Meji Alabi, the video opens with Davido arriving at a chateau in a horse-drawn carriage.

Other scenes feature dancers, grand interiors and the couple in different settings.

Chioma appears in a navy-blue gown with gold embroidery and a matching gele.

The video concludes with a lakeside scene in which Davido kneels before her, and opens a ring box.

The release reunites Davido and Chioma with Alabi, who directed them in ‘Assurance’, Davido’s 2018 song dedicated to Chioma.

She also appeared in ‘1 Milli’, released in 2020 with a wedding-themed music video.

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Sultan of Sokoto to Honour Peter Igho as Kakakin Daular Usmaniyya

The ceremony is expected to be witnessed by prominent Nigerians from all walks of life, and across the country, serving to further cement cordial relations and national unity among the diverse peoples of Nigeria.

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• Peter Igho

The Palace of His Eminence, the Sultan of Sokoto, has announced that the formal turbaning ceremony of Chief Peter Igho as Kakakin Daular Usmaniyya will take place on November 1, 2026.

Chief Peter Igho is a legendary Nigerian broadcaster, television producer and media icon.

A former Executive Director at the Nigerian Television Authority (NTA), he is best known as the Producer/Director of timeless classics such as Cock Crow at Dawn and other pioneering programmes that defined Nigerian television.

He is a recipient of numerous national and international awards for broadcasting excellence and has mentored generations of media professionals.

Chief Igho, who hails from the Niger Delta, is also a respected cultural ambassador and community leader noted for his philanthropy and commitment to national integration.

The prestigious traditional title was conferred on Chief Igho by His Eminence, Alhaji Muhammad Sa’ad Abubakar III, on September 10, 2025, in recognition of his invaluable contributions to the development of the Sultanate Council, Sokoto State, and Nigeria in general.

The ceremony is expected to be witnessed by prominent Nigerians from all walks of life, and across the country, serving to further cement cordial relations and national unity among the diverse peoples of Nigeria.

The Sokoto Caliphate, also known as Daular Usmaniyya, was founded in 1804 by the great Islamic scholar and reformer, Shehu Usman Dan Fodio.

It remains one of the most significant empires in African history, renowned for its scholarship, administration, justice and promotion of Islamic values.

At its peak, it was the largest state in West Africa.

Today, the Sultanate Council, under the Sultan of Sokoto, remains the pre-eminent custodian of its heritage and a central institution for Islamic leadership, peacebuilding, and national cohesion in Nigeria.

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Davido, Kirk Franklin, to hit airwaves with new song ‘Hope In You’

The project also features American musicians GloRilla, Jelly Roll and Tobe Nwigwe, bringing together artists from different musical backgrounds.

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Nigerian Afrobeats star Davido, and American gospel singer Kirk Franklin will on Friday, October 30, 2026, release a new song, titled ‘Hope in You.’

The song will feature on Franklin’s forthcoming 14-track album, I Am What I Am, which blends gospel music with contemporary sounds.

The collaboration was previewed at an album listening event in Atlanta, United States, on October 12, where Davido reportedly performed a verse and joined the choir.

The project also features American musicians GloRilla, Jelly Roll and Tobe Nwigwe, bringing together artists from different musical backgrounds.

The collaboration marks a meeting of Afrobeats and contemporary gospel, with the two artists bringing their distinct musical styles to the project.

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