Connect with us

Entertainment

Aboru Aboye: Pastors Reacts to Tope Alabi’s use of Traditional Religious greetings in her song

Published

on

307 Views

Mixed reactions have continued to trail among some Nigerian pastors on whether the use of ‘Aboru Aboye’ in the viral song by popular gospel singer, Tope Alabi, is proper in a gospel song.

While some of the pastors who spoke with our correspondent saw nothing wrong with Alabi’s choice of lyrics in the viral song, others disagreed, arguing that the singer should not incorporate traditional terminologies into gospel music.

Alabi made headlines last Friday following the release of a song where she was heard singing the words ‘Aboru Aboye,’ terms mostly used by Ifa worshippers when greeting initiates, sometimes referred to as ‘Babalawo’.

Alabi, in the viral video, could be heard singing the lyrics; ‘Emi ni aboru, aboye… abiye ni mi, Oruko mi ni yen. Mo de bo, mo ru, mo ye,” (I am a sacrifice, that’s my name. I am a sacrifice accepted by God, that’s my name).

Her lyrical choices have since gotten many tongues wagging on and off social media.

Tope Alabi
Tope Alabi

However, reacting to the viral video, Pastor Lanre Kayode, Senior Pastor of the Christ Apostolic Church, Shibiri branch, Lagos, said the controversy trailing the video could be blamed on the poor understanding of the Yoruba language by some of her critics.

Pastor Kayode said, “It’s a language thing. I see nothing wrong with what she said. She was simply praising God.”

He argued that another gospel act, Dunsin Oyekan, has a song where he used similar words only sung in the English Language and no one raised an eyebrow.

Oyekan, in the song titled ‘More than a Song, sang the words: ”I am more than a song today, I am a sacrifice…” similar words to Alabi’s but conveyed in a different language.

”Why are people not complaining about that? Is it because he sang in English?

“Why do people not have issues with this? Is it because Tope sang in Yoruba?” Pastor Kayode asked.

He stressed that there is nothing wrong with Tope Alabi’s choice of words. “It’s simply a language thing. Not many people understand Yoruba that well and that’s why they are criticising the song,” he said.

Also speaking with our correspondent, Pastor Tunde Afolabi of the Christ Redemption Church, Ogba, Lagos, kicked against the criticism of Tope Alabi over the Aboru Aboye song saying people probably misinterpreted Alabi’s stance on the use of the ‘Aboru Aboye’ and believed it is and can only be used by traditionists.

He said, ”People believe she is referring to Ifa but I feel she is worshipping her God the best way she knows how. We all have the best ways to worship God.”

Prophet Akinyele Timothy of Celestial Church Of Christ, El morijah Olubukun parish, Ikorodu, also backed Alabi’s use of ‘Aboru Aboye’ words in the viral video.

Prophet Timothy said, ”Tope Alabi was simply praising God. Even the Muslims say ‘Oba Ajoke aye, Asake Orun’. They are also simply praising God. Tope was simply acknowledging God’s might, she was not in any way affirming that she is an Ifa worshipper. I do not see anything wrong in the phrases she used.”

Tope Alabi

However, Pastor (Mrs.) P.S. Otitolaiye of the Mount of Fire Ministries, Ijanikin, was against Alabi’s use of ‘Aboru Aboye’ in a gospel song.

She said Alabi should have refrained from using traditional phrases in her songs, noting that there is no relationship between light and darkness.

In her words, ”Tope Alabi should endeavour not to bring in any traditional phrase into her song because there is no relationship between light and darkness.”

Pastor Otitolaiye, however, added that “the conversation about the intersection of religion and culture in Nigeria is far from over.”

Speaking in the same vein, Pastor Ifeoluwa Fatoki of Divine Grace Baptist Church Ogbomosho, a graduate of African Traditional Religion and World Religion from the Nigerian Baptist Theological Seminary Ogbomoso, argued against the use of ‘Aboru Aboye’.

He said, ”I do not think those words are appropriate in the worship of God because they are not original to Christianity and they already have roots in the worship of Ifa.

”I think there are better words that can be used. To refer to the believer as a sacrifice is okay. But those three words have different connotations. It’s like saying, Eriwo ya… No matter how we paint it, it is not acceptable.

Tope Alabi

”More so, hallelujah, which is the Jewish word for ‘praise Yahweh’ as a word is known in Christianity. It’s like saying, Ifa worshippers now also say hallelujah in their worship.”

General Superintendent, Apostle Adeboye Ajakaiye (JP) of Ile Adura Mose Orimolade Tunolase Cherubim and Seraphim Church, Festac Town, said Tope Alabi was only performing to please her fans as a singer.

Apostle Ajakaiye said, ”Romans 12:2 shows that we live out God’s will when we change our thoughts to God’s thoughts, rather than living as the world dictates. The world will always pressure us to live sinfully and selfishly, but to live the good life God wants from us requires changing how we behave—by changing our thoughts.

”Tope Alabi is an entertainer. From my observations over the years, her performances have always been to please her audience, whether intentionally or not I can’t say. She’s also human that can also make mistakes. From the video that I watched, she was trying to use the word, ‘Aboru, Aboye, Abiye’ positively in her way.

”I know the devil twists the things of God for his own use, but should or can we as children of God, in the light of Romans 12:2 do the same? I think you know the answer. Such thinking has made the Church conform to the world. These days, you can’t distinguish a Christian from the world in all ways, from dressing, talking, use of worldly vibes in Christian songs, dancing, etc. I remember in times past, a word of commitment from a Christian was seen as a bond; now, when you call yourself a Pastor, that’s when people become extra careful in dealing with you.

”Why? It is because we have refused to conform to the instructions of the Lord by allowing such little compromises in the body of Christ. It’s sad, but it’s the current reality. The Church needs to wake up. Luke 18:8 says, however, when the Son of Man comes, will he find faith on the earth? The choice is yours.”

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Tinubu Commends Rema, Burna Boy, Shallipopi, Other Nigerian Stars as Nigeria Dominates 9th AFRIMA

Published

on

31 Views

President Bola Ahmed Tinubu has congratulated Nigerian artistes who shone brightly at the 9th edition of the All Africa Music Awards (AFRIMA), hailing their outstanding achievements as a testament to the growing global influence, creativity, and resilience of Nigeria’s vibrant music industry and youth.

The President described the successes as a proud moment for the nation, showcasing the depth of talent and hard work that continue to elevate Nigerian music across Africa and the world. He noted that the victories reflect years of dedication and consistency, positioning Nigerian sounds as a powerful cultural voice on the continental and international stage.

The 9th AFRIMA, held from January 7 to 11, 2026, in Lagos — the official host city designated by the African Union Commission on April 9, 2025, in Addis Ababa, Ethiopia — delivered a stellar outing for Nigerian talents.

The event attracted over 1,200 artistes, delegates, and industry stakeholders from at least 48 African countries, underscoring its pan-African significance.

Key Nigerian winners included:

– Rema, who dominated with three major awards: Artiste of the Year, Best Male Artiste in Western Africa, and Best African RnB & Soul.

– Burna Boy, who claimed Album of the Year for his project No Sign of Weakness, and shared Best African Collaboration with Shallipopi for their hit track “Laho” (or its remix).

– Shallipopi, who secured Song of the Year for his viral hit “Laho”, alongside the collaboration award.

– Other notable Nigerian honorees: Phyno (Best African Hip-Hop), Qing Madi (Most Promising Artiste), Yemi Alade (Best Soundtrack in a Movie, Series or Documentary for “You Are” from the animated series Iyanu), and Chella (African Fans’ Favourite).

– Veterans Kenny Ogungbe and Dayo Adeneye (D1) received the prestigious AFRIMA Legendary Award.

President Tinubu extended special commendation to Lagos State for its exceptional hosting of the event, which featured a Welcome Soiree, the Africa Music Business Summit, a vibrant Music Village concert at Ikeja City Mall with over 25 top artistes performing for thousands of fans, and a sold-out grand finale at the Eko Convention Centre.

“I commend Lagos State for once again proving its capacity as Africa’s creative and entertainment capital. I congratulate the Lagos State Government and His Excellency, Governor Babajide Sanwo-Olu, for delivering a successful, world-class, safe, and welcoming environment for delegates, artistes, and guests from across the continent,” the President stated.

Reflecting on his own recognition in 2015 with the Pillar of Art and Culture in Africa Award by the African Union Commission and AFRIMA, President Tinubu reaffirmed his administration’s commitment to prioritizing youth empowerment and the creative economy.

“Culture is the soul of a people, and music remains one of Africa’s strongest voices. I remain deeply committed to supporting initiatives that promote our culture and empower our creative talents.

Our government is fully committed to empowering young Nigerians and strengthening the creative economy through music, film, fashion, and other sectors that drive jobs, tourism, and national development,” he added.

The President urged the award-winning artistes to continue using their platforms to inspire hope, unity, and pride while contributing to Nigeria’s growth.

The 9th AFRIMA, founded in 2014 by the International Committee of AFRIMA in partnership with the African Union Commission, culminated in the presentation of the iconic 23.9-carat gold-plated trophies to outstanding creatives.

Continue Reading

Entertainment

The Isle 95.9 FM onboard Oyemike from Wazobia FM to strengthen on air contents

Oyemike is widely respected for his ability to connect with listeners while delivering news, current affairs and commentary with clarity, energy and cultural relevance.

Published

on

By

35 Views

• Ikechukwu Oyemike

Journalist Ikechukwu Oyemike, popularly known as Ogbuefi ItisIkechukwu, has joined The Isle 95.9 FM Lagos as head of events and on-air personality.

Oyemike spent more than than 11 years at Wazobia FM, where he established a strong reputation for credible journalism, compelling storytelling and audience-centred broadcasting.

Oyemike is widely respected for his ability to connect with listeners while delivering news, current affairs and commentary with clarity, energy and cultural relevance.

The appointment was announced by FemyWalsh Limited, a business, economy and development-focused media group, which described the onboarding of Oyemike as part of its strategy to strengthen programming quality, audience engagement and experiential broadcasting.

Oyemike said that he was delighted to begin a new chapter at The Isle 95.9 FM Lagos, noting that the role presents an opportunity to engage listeners both on air and through impactful events that foster meaningful audience connections.

The management of the station said that Oyemike’s dual role would see him contribute to strengthening on-air content while leading the development of high-impact events aimed at deepening community engagement.

Continue Reading

Entertainment

WizKid stole my nickname ” Big Bird”– Seun Kuti

“If I see DJ Tunez again, I’ll confront him because he and his team are enjoying the Wizkid and Fela comparison instead of debunking it. I won’t even hug him.”

Published

on

By

40 Views

Afrobeats singer Seun Kuti has responded to Wizkid fans over the “Big Bird” nickname controversy, saying the name is his and Wizkid should find his own original moniker.

The beef started when a Wizkid fan asked Seun on his Instagram live, to change his longtime nickname, claiming Wizkid is the “Biggest Bird” and Seun refused, citing he’s used the name longer.

“Wizkid ‘stole’ my name. Tell your fave to be original. Why are you telling me to change my name? Sorry, I can’t change it. This name has been here since. I am the first to come up with it”, he said.

Seun also slammed Wizkid’s team, including DJ Tunez, for not addressing comparisons between Wizkid and his late father Fela, stating that they indirectly allow fans drag Fela’s name into music disputes.

“If I see DJ Tunez again, I’ll confront him because he and his team are enjoying the Wizkid and Fela comparison instead of debunking it. I won’t even hug him,” he said.

In the video, Seun revealed he recently got $120,000 because he’s Fela’s son, saying his dad’s legacy still brings benefits.

Continue Reading

Trending