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Tension among Sunny Ade’s children over music legend’s whereabouts

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Some children of the legendary juju musician, Sunday Adegeye, aka King Sunny Ade, are currently at loggerheads over his well-being and whereabouts.

A daughter of the singer and guitarist, Damilola Esther, took to social media to accuse her step-brother, Dayo, of holding their father hostage, and also booking him for events without honouring the engagements.

In a series of social media posts, she also called for her brother, who she referred to as his manager, to be apprehended for “stealing” from KSA.

One of the posts read, “Dad told my brother that he wants to go home. Where is he? Where are his phones? He has not been online or picking his calls. Where is he?”

Another one read, “I want Dayo (manager) apprehended. I want him to provide all the money they have been stealing from him. He has a UK visa, thinking he can run.

”However, in an exclusive interview with The PUNCH, Dayo said their father was hale and hearty.

He maintained that he was not the father’s “official manager” but was only helping out his dad in that regard.

He said, “The allegation is false. On Saturday (April 26, 2025), my dad performed at the 60th birthday party of a fan. The event took place at 16 Musa Yar’Adua Street, Victoria Island, Lagos.

He still had rehearsals with members of his band last week. He will perform in Akure (Ondo State capital) on May 1.

“She (Damilola) is not in the right frame of mind for her to have made those posts.

On Easter Sunday, she called me and said she wanted to speak with dad, because she doesn’t live in Nigeria.

I gave the phone to my dad, and they spoke for about 30 minutes. I then told her that if she wanted to see him, she could come to Nigeria.

“The moment she started making nasty comments about dad, she crossed the line. You cannot speak ill of my father and expect me to still reckon with you, no matter who you are. Even my mother wouldn’t do that.

Why would you (Damilola) go on social media and call daddy names?

”Dayo also stated that KSA would release a statement to clear the air and put things in perspective.

“Kindly ignore all she has said. KSA will release a statement on social media within 24 hours. And if you are free, you can join him in Akure for his performance on May 1.

He will be glad to have an interaction with you, and answer questions on what you have heard on social media about him,” he said.

Clarifying that he was not KSA’s manager but was only “helping out” in the absence of one, Dayo told our correspondent, “I am not an official manager. I just assist my father. I have my businesses.

As I explained to her (Damilola), I don’t have any employment letter, and I am not on the payroll.

“I am just helping my dad, like the Scripture commands. This arrangement was not even planned but was necessitated by some developments.

He (KSA) asked me to help him handle certain things, pending the time he gets someone in that position.

And, he feels extremely comfortable with what I have been doing, and he said I should continue doing it.

“This is like paying him back for all the things he has done for me. One of the things he loves the most is going on stage to perform, and that is what he has been doing for the past 59 years. We cannot just ask him to stop doing that.

”Another son of the iconic musician, David, asserted that Damilola was making things up.

In a separate interview he said, “As I’m speaking with you, daddy is fine. He is not working under duress. He just finished an event. I can tell you with proof and evidences that he is fine.

”David also noted that he was ready to volunteer more information to prove that their daddy was fine, and there was no cause for alarm.

However, a respected journalist, Olawale Olaleye, claimed that KSA was no longer accessible to people who used to be in contact with him.

In a social media post, he noted that Damilola reached out to him with the claim that something sinister was going on with her dad, and that he was not reachable.

He stated that another associate reached out to him and asked for his help in getting across to KSA to book him for an event.

According to Olaleye, he tried different means of getting across to KSA but all were to no avail.

He added, “Curiously, everyone who could reach KSA at a dial could not anymore. And at that point, I gave up and continued with my life of hustling…”

Source: PUNCH

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Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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