Entertainment
Tension among Sunny Ade’s children over music legend’s whereabouts
Some children of the legendary juju musician, Sunday Adegeye, aka King Sunny Ade, are currently at loggerheads over his well-being and whereabouts.
A daughter of the singer and guitarist, Damilola Esther, took to social media to accuse her step-brother, Dayo, of holding their father hostage, and also booking him for events without honouring the engagements.
In a series of social media posts, she also called for her brother, who she referred to as his manager, to be apprehended for “stealing” from KSA.
One of the posts read, “Dad told my brother that he wants to go home. Where is he? Where are his phones? He has not been online or picking his calls. Where is he?”
Another one read, “I want Dayo (manager) apprehended. I want him to provide all the money they have been stealing from him. He has a UK visa, thinking he can run.
”However, in an exclusive interview with The PUNCH, Dayo said their father was hale and hearty.
He maintained that he was not the father’s “official manager” but was only helping out his dad in that regard.
He said, “The allegation is false. On Saturday (April 26, 2025), my dad performed at the 60th birthday party of a fan. The event took place at 16 Musa Yar’Adua Street, Victoria Island, Lagos.
He still had rehearsals with members of his band last week. He will perform in Akure (Ondo State capital) on May 1.
“She (Damilola) is not in the right frame of mind for her to have made those posts.
On Easter Sunday, she called me and said she wanted to speak with dad, because she doesn’t live in Nigeria.
I gave the phone to my dad, and they spoke for about 30 minutes. I then told her that if she wanted to see him, she could come to Nigeria.
“The moment she started making nasty comments about dad, she crossed the line. You cannot speak ill of my father and expect me to still reckon with you, no matter who you are. Even my mother wouldn’t do that.
Why would you (Damilola) go on social media and call daddy names?
”Dayo also stated that KSA would release a statement to clear the air and put things in perspective.
“Kindly ignore all she has said. KSA will release a statement on social media within 24 hours. And if you are free, you can join him in Akure for his performance on May 1.
He will be glad to have an interaction with you, and answer questions on what you have heard on social media about him,” he said.
Clarifying that he was not KSA’s manager but was only “helping out” in the absence of one, Dayo told our correspondent, “I am not an official manager. I just assist my father. I have my businesses.
As I explained to her (Damilola), I don’t have any employment letter, and I am not on the payroll.
“I am just helping my dad, like the Scripture commands. This arrangement was not even planned but was necessitated by some developments.
He (KSA) asked me to help him handle certain things, pending the time he gets someone in that position.
And, he feels extremely comfortable with what I have been doing, and he said I should continue doing it.
“This is like paying him back for all the things he has done for me. One of the things he loves the most is going on stage to perform, and that is what he has been doing for the past 59 years. We cannot just ask him to stop doing that.
”Another son of the iconic musician, David, asserted that Damilola was making things up.
In a separate interview he said, “As I’m speaking with you, daddy is fine. He is not working under duress. He just finished an event. I can tell you with proof and evidences that he is fine.
”David also noted that he was ready to volunteer more information to prove that their daddy was fine, and there was no cause for alarm.
However, a respected journalist, Olawale Olaleye, claimed that KSA was no longer accessible to people who used to be in contact with him.
In a social media post, he noted that Damilola reached out to him with the claim that something sinister was going on with her dad, and that he was not reachable.
He stated that another associate reached out to him and asked for his help in getting across to KSA to book him for an event.
According to Olaleye, he tried different means of getting across to KSA but all were to no avail.
He added, “Curiously, everyone who could reach KSA at a dial could not anymore. And at that point, I gave up and continued with my life of hustling…”
Source: PUNCH
Entertainment
Annie Macaulay announces “I’m back to acting”
She added that the magic of acting is still there and described this as only the beginning again.
Actress Annie Macaulay announced her returns to acting with a new project.
Annie Macaulay is known for roles in films such as ‘Blackberry Babes’, ‘Pleasure and Crime’, and ‘Morning After Dark’.
Macaulay, who shared a video from a movie set on Instagram, said: “Being back on set, creating stories, becoming different characters, and doing what I truly love reminds me of why I started this journey in the first place. Acting will always have a special place in my heart, and I’m honestly so happy to be back doing what brings me joy.”
She noted that being back on set reminded her of why she started her career.
She expressed gratitude for growth, new beginnings, and opportunities to continue telling stories through film.
She added that the magic of acting is still there and described this as only the beginning again.
Entertainment
‘God Took Him’ — Singer Niniola Announces Death of Husband Michael Ndika
Nigerian Afro-house star Niniola Apata has announced the heartbreaking death of her husband, Michael Ndika, after 13 years of marriage.
The Grammy-nominated artist shared the sad news in a series of emotional Instagram Stories posted in the early hours of Wednesday, May 20, 2026.
“God took him,” Niniola wrote in one post. “My husband died,” she added in another, while expressing deep grief in a third: “God took him. 13 years. 13 f***ing years.”
Michael Ndika, also known as Big Mike or X.O, served as Niniola’s manager and was the Chief Executive Officer of NaijaReview, a multimedia platform promoting Afro-house and contemporary African music. The couple had kept their marriage largely private, surprising many fans who were unaware of the union.
No details have been released about the cause of Ndika’s death. Tributes and messages of condolence have poured in from fans, fellow artists, and the music community, including her sister, singer Teni.
Niniola, celebrated for hits like “Maradona” and her contributions to the Afro-house genre, is now receiving an outpouring of support as she mourns the loss of her longtime partner.
Entertainment
Wizkid Becomes First African Artist to Surpass 11 Billion Spotify Streams
Nigerian Afrobeats superstar Wizkid (Ayodeji Balogun) has etched his name deeper into music history, becoming the first African artist to surpass 11 billion total streams on Spotify across all credits.
The milestone was announced on Tuesday by music data platform Charts Africa, which noted that Wizkid has now claimed every major Spotify streaming benchmark for African artists—from 1 billion to 11 billion streams.
This latest achievement underscores Wizkid’s unparalleled dominance as the most-streamed African act on the platform. His catalog, boosted by global hits like “Essence” with Tems and his feature on Drake’s “One Dance,” continues to drive massive numbers. He also leads other top African acts, with Burna Boy at around 9.8 billion and Davido trailing further behind.
The timing coincides with the recent release of his collaboration “State of Mind” with DJ Tunez, which quickly racked up hundreds of thousands of streams. Industry observers project that Wizkid’s consistent daily streaming velocity will keep pushing his totals higher.
Fans and industry figures have flooded social media with congratulations, hailing the feat as a proud moment for Afrobeats and Nigerian music on the global stage. Wizkid’s previous breakthroughs, including becoming the first African artist to hit 10 billion streams earlier in 2026, had already positioned him as a continental trailblazer.
This 11 billion milestone further solidifies his status among the world’s streaming heavyweights and highlights the growing international commercial power of Afrobeats.
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