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National Theater: The Bankers’ Committee “made me eat my words – Soyinka

President Tinubu stated that there was no controversy surrounding the renaming of the National Theatre, adding that he considered Prof. Soyinka’s contributions to the arts and culture.

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From left: First Lady Oluremi Tinubu; President Bola Ahmed Tinubu; Prof Wole Soyinka and Lagos State Governor Babajide-Sanwo-Olu…yesterday.

Nobel laureate Prof Wole Soyinka says that before the renovation of the National Theatre, located at Iganmu, Lagos, he thought it was irredeemable, but the Bankers’ Committee “made me eat my words.”’

The renovated edifice was renamed the Wole Soyinka Centre for Culture and the Creative Arts, by President Bola Tinubu, as parts of events marking Nigeria’s 65th independent anniversary, yesterday.

Soyinka praised the transformation of the building, noting, “If eating one’s word produces a morsel like this, then it’s a very tasty set of words.”

Soyinka emphasized that he accepted the renaming of the National Theatre after him : ” I never believed that the monument could ever be revamped.”

He admitted that he accepted the honour with mixed feelings, despite being a critic of many past leaders, who appropriated public monuments.

“I have to stand up in public and watch my name being put up as yet another appropriator. It just didn’t seem very well for me,” the literary giant said.

The Bankers’ Committee committed N68 billion into the project.

President Bola Ahmed Tinubu at the occasion directed the Central Bank of Nigeria (CBN) to float a National Arts Theatre Endowment Fund to ensure the maintenance of the national edifice.

Among the prominent persons at the event were First Lady, Senator Oluremi Tinubu, Senate President Godswill Akpabio, CBN Governor Olayemi Cardoso, who coordinated the Bankers’ Committee, Emir of Kano Muhammadu Sanusi, who is a former CBN governor; Lagos State Governor Babajide Sanwo-Olu and Minister of Arts, Culture and the Creative Economy, Hannatu Musawa.

The Bankers’ Committee committed N68 billion into the project.

President Tinubu said there was no controversy in the National Theatre being renamed, adding that he considered Prof Soyinka’s contributions to the arts and culture. Prof. Wole Soyinka is one of the greatest assets of the world. So, the renaming could not have gone to anyone else,” he said.

President Tinubu stated that there was no controversy surrounding the renaming of the National Theatre, adding that he considered Prof. Soyinka’s contributions to the arts and culture.

Olayemi Cardoso, Governor of the Central Bank of Nigeria, disclosed that the Bankers’ Committee, the Lagos State Government, and the Ministry of Art, Culture, and the Creative Economy came together with a shared purpose to deliver this national project, with the Bankers’ Committee alone committing approximately N68 billion, not as corporate social responsibility but as a deliberate investment in Nigeria’s cultural future.

He said that the project stands as proof that when the public and private sectors unite behind a shared national purpose, there is no limit to what Nigeria can achieve.

The CBN boss stated that 65 years after our nation’s founding, Nigeria’s creative spirit remains alive, pervasive and shaping global culture.

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Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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