Entertainment
Why TV Makers Switched To OLED Panels
One of the biggest reasons manufacturers moved to OLED production was the panel’s ability to use individually self-emissive pixels instead of an LCD panel with LED backlighting.
• Story and image credit: BGR.com
If you’re looking for a TV that delivers rich colors and the kind of black levels that put actual movie theaters to shame, you should consider an OLED TV.
The acronym stands for “organic light-emitting diode,” a panel type that signaled a major shift in display technology for TV makers.
One of the biggest reasons manufacturers moved to OLED production was the panel’s ability to use individually self-emissive pixels instead of an LCD panel with LED backlighting.
The result was something LCD panels struggled with at the time: unbeatable black levels, near-perfect contrast, and a thinner chassis.
While early OLED TVs carried eye-watering price tags (one of LG’s first sets was nearly $10,000), growing competition and expanded panel production helped bring costs down, solidifying OLED’s role as a go-to choice for premium televisions.
Nowadays, brands like LG and Samsung — two of the most reliable smart TV brands on the market — produce industry-lauded OLED TVs at multiple price.
Generally speaking, OLED TVs are more expensive to produce than LED LCDs, and that usually translates to the former being priced a bit higher in stores and online.
And while LED LCD technology has continued to get brighter, thinner, and more affordable with each new generation, issues like light bloom, flat contrast, and poor image quality when viewed from the sides have remained.
These are all picture maladies that pretty much don’t exist for OLED owners because of how much lighting and color control those self-emissive pixels deliver.
The Samsung S95F OLED is one of the best TVs to buy on Amazon, according to experts, and part of what makes its picture so great is quantum dot technology.
Interestingly, quantum dots were originally an LCD feature that emerged in response to OLED TV production.
LED sets needed a way to compete with the rich colors and superior viewing angles that OLEDs introduced, and a layer of quantum dots was the answer.
By refining how light is converted into pure red and green wavelengths, quantum dots allowed LCD TVs to deliver wider color gamuts and higher peak brightness levels, without abandoning LED backlighting.
This also led to a new picture tech acronym: quantum dot-light-emitting diode, or QLED.
Brands like Samsung later adapted this same technology for OLED panels, combining a blue OLED light source with a quantum dot layer to create QD-OLED.
The hybrid approach preserves OLED’s near-perfect contrast and black levels, while boosting color volume and brightness, helping models like the S95F deliver a more vibrant, HDR-friendly picture than earlier OLED generations.
Entertainment
‘God Took Him’ — Singer Niniola Announces Death of Husband Michael Ndika
Nigerian Afro-house star Niniola Apata has announced the heartbreaking death of her husband, Michael Ndika, after 13 years of marriage.
The Grammy-nominated artist shared the sad news in a series of emotional Instagram Stories posted in the early hours of Wednesday, May 20, 2026.
“God took him,” Niniola wrote in one post. “My husband died,” she added in another, while expressing deep grief in a third: “God took him. 13 years. 13 f***ing years.”
Michael Ndika, also known as Big Mike or X.O, served as Niniola’s manager and was the Chief Executive Officer of NaijaReview, a multimedia platform promoting Afro-house and contemporary African music. The couple had kept their marriage largely private, surprising many fans who were unaware of the union.
No details have been released about the cause of Ndika’s death. Tributes and messages of condolence have poured in from fans, fellow artists, and the music community, including her sister, singer Teni.
Niniola, celebrated for hits like “Maradona” and her contributions to the Afro-house genre, is now receiving an outpouring of support as she mourns the loss of her longtime partner.
Entertainment
Wizkid Becomes First African Artist to Surpass 11 Billion Spotify Streams
Nigerian Afrobeats superstar Wizkid (Ayodeji Balogun) has etched his name deeper into music history, becoming the first African artist to surpass 11 billion total streams on Spotify across all credits.
The milestone was announced on Tuesday by music data platform Charts Africa, which noted that Wizkid has now claimed every major Spotify streaming benchmark for African artists—from 1 billion to 11 billion streams.
This latest achievement underscores Wizkid’s unparalleled dominance as the most-streamed African act on the platform. His catalog, boosted by global hits like “Essence” with Tems and his feature on Drake’s “One Dance,” continues to drive massive numbers. He also leads other top African acts, with Burna Boy at around 9.8 billion and Davido trailing further behind.
The timing coincides with the recent release of his collaboration “State of Mind” with DJ Tunez, which quickly racked up hundreds of thousands of streams. Industry observers project that Wizkid’s consistent daily streaming velocity will keep pushing his totals higher.
Fans and industry figures have flooded social media with congratulations, hailing the feat as a proud moment for Afrobeats and Nigerian music on the global stage. Wizkid’s previous breakthroughs, including becoming the first African artist to hit 10 billion streams earlier in 2026, had already positioned him as a continental trailblazer.
This 11 billion milestone further solidifies his status among the world’s streaming heavyweights and highlights the growing international commercial power of Afrobeats.
Entertainment
NFVCB Approves 304 Nollywood’s New Films
English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.
The National Film and Video Censors Board (NFVCB) declared that it approved and classified 304 films between January and April 2026.
In a statement, Director of Film Censorship and Classification at the board, Deborah Malgwi, said that the figure represented an increase from the 267 films classified during the same period in 2025.
Classification data released by the board shows that January 2026 recorded the highest number of approvals with 102 films, followed by 83 in February, 77 in March and 42 in April.
In comparison, the board classified 25 films in January 2025, 58 in February, 114 in March and 70 in April of the same year.
The statistics also showed that English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.
Further analysis indicated that most productions fell within the “15” and “18” age categories, reflecting prevailing themes in contemporary film productions.
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