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Why TV Makers Switched To OLED Panels

One of the biggest reasons manufacturers moved to OLED production was the panel’s ability to use individually self-emissive pixels instead of an LCD panel with LED backlighting. 

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Story and image credit: BGR.com

If you’re looking for a TV that delivers rich colors and the kind of black levels that put actual movie theaters to shame, you should consider an OLED TV. 

The acronym stands for “organic light-emitting diode,” a panel type that signaled a major shift in display technology for TV makers.

One of the biggest reasons manufacturers moved to OLED production was the panel’s ability to use individually self-emissive pixels instead of an LCD panel with LED backlighting. 

The result was something LCD panels struggled with at the time: unbeatable black levels, near-perfect contrast, and a thinner chassis.

While early OLED TVs carried eye-watering price tags (one of LG’s first sets was nearly $10,000), growing competition and expanded panel production helped bring costs down, solidifying OLED’s role as a go-to choice for premium televisions.

Nowadays, brands like LG and Samsung — two of the most reliable smart TV brands on the market — produce industry-lauded OLED TVs at multiple price.

Generally speaking, OLED TVs are more expensive to produce than LED LCDs, and that usually translates to the former being priced a bit higher in stores and online.

And while LED LCD technology has continued to get brighter, thinner, and more affordable with each new generation, issues like light bloom, flat contrast, and poor image quality when viewed from the sides have remained. 

These are all picture maladies that pretty much don’t exist for OLED owners because of how much lighting and color control those self-emissive pixels deliver. 

The Samsung S95F OLED is one of the best TVs to buy on Amazon, according to experts, and part of what makes its picture so great is quantum dot technology.

Interestingly, quantum dots were originally an LCD feature that emerged in response to OLED TV production.

LED sets needed a way to compete with the rich colors and superior viewing angles that OLEDs introduced, and a layer of quantum dots was the answer.

By refining how light is converted into pure red and green wavelengths, quantum dots allowed LCD TVs to deliver wider color gamuts and higher peak brightness levels, without abandoning LED backlighting.

This also led to a new picture tech acronym: quantum dot-light-emitting diode, or QLED.

Brands like Samsung later adapted this same technology for OLED panels, combining a blue OLED light source with a quantum dot layer to create QD-OLED.

The hybrid approach preserves OLED’s near-perfect contrast and black levels, while boosting color volume and brightness, helping models like the S95F deliver a more vibrant, HDR-friendly picture than earlier OLED generations.

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Entertainment

Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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