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NFVCB June Films top by ROK Studios, Silverbird Distribution, and OSSYKing Movies

62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).

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The National Film and Video Censors Board (NFVCB) approved a total of 151 films for the month of June 2025 against 53 films earlier reported erroneously.

The approval also revealed the growing consistency of top production houses like ROK Studios, Silverbird Distribution, and OSSYKing Movies, which featured prominently in this month’s listings.

Breakdown of classifications from the Censors Board website shows that 71 were classified as rated-18 years, out of the 151 films approved.

62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).

This classification points to a growing shift toward mature, emotionally complex storytelling, with 18-rated titles accounting for nearly half of the approved films.

This classification underscores a noticeable dominance of 18-rated titles and English-language productions.

It also reflects the increasing pace of local film production across regions and genres.

English-language productions accounted for the bulk of the approvals, continuing their stronghold as Nollywood’s dominant medium.

However, a fair share of Yoruba and Igbo titles also made the list, reaffirming the role of indigenous voices in the cinematic landscape.

Notably approved indigenous-language films include Obim (Igbo), Iyawo Eniyan and Ajegunle Lawa (Yoruba) and Itene (Idoma).

There was no hausa-language films approved during the month, marking a recurring gap in representation from the North.However, Itene produced in Idoma, was one of the few from the Middle Belt.Among studios with multiple entries include ROK Studios had a strong presence with films like Perfect Wife, Strings of Love, Hidden Truth and My Sugar Daddy, primarily rated 15 and 18.Silverbird Distribution secured approvals for Rebirth of King Kong and Jurassic World Rebirth, both notable for their international appeal.

OSSYKing Movies had a consistent output with Stray Bullet, Palace of Torment, and The Cost of a Lie, all within the 15–18 range.

The Executive Director of the NFVCB, Dr. Shaibu Husseini reaffirmed the Board’s stance on guiding responsible storytelling and content regulation.

“We are committed to encouraging stories that reflect Nigeria’s values and cultural richness while ensuring public safety through proper classification,” he said.

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Entertainment

Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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