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Lagos: Mohbad’s Father Appeals DPP’s Legal Stance

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Mr Joseph Aloba, father of the late singer, Ilerioluwa Oladimeji Aloba, aka Mohbad, has filed a notice of appeal against the Lagos High Court ruling which upheld the legal advice that cleared music executive, Azeez Fashola, aka Naira Marley, and show promoter, Balogun Eletu, popularly known as Sam Larry, of any wrongdoing in his son’s controversial death.

The appeal, filed at the Court of Appeal, Lagos Division, seeks to overturn the July 2, 2025, decision delivered by Justice D.T. Olatokun.

Through his legal team led by a Senior Advocate of Nigeria, Wahab Shittu, and Don Akaegbu, Aloba is challenging the Director of Public Prosecutions’ legal advice, which he argued was used to absolve key suspects in the late singer’s death.

In the appeal document on Tuesday, Aloba contended that the trial court erred by holding that the Attorney-General’s prosecutorial powers under Section 211(1) of the 1999 Constitution are absolute and not subject to judicial review.

He argued that such powers must be exercised in line with public interest, justice, and due process, and not used to shield any individual from prosecution.

Citing the Supreme Court case of Elias v. Arkas (2018) 10 NWLR (Pt 1626) Pg 37, the appellant contended that “such power was not beyond judicial scrutiny, especially when it appears contrary to the public interest, interest of justice, or amounts to abuse of legal process.”

He however urged the court “to allow the appeal and set aside the lower court’s ruling and issue an order of certiorari to quash the legal advice issued by the DPP with Reference No. LJP/HOM/2023/170 concerning Mohbad’s death.”

The Attorney-General of Lagos State, Lawal Pedro SAN, and the Director of Public Prosecutions were listed as respondents in the case.In an ex parte motion earlier filed before the Lagos High Court, Aloba argued that the coroner’s inquest, initiated on September 29, 2023, had not concluded its probe into Mohbad’s demise before the DPP’s actions were taken.

He further disclosed that key individuals who had been summoned by the Coroner’s Court and mentioned during the inquest were released prematurely and had yet to appear to clarify their roles in the case.

He added that the police and DPP allegedly acted without notifying the coroner, thereby obstructing the inquest’s statutory duties.

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Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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