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It’s Painful I Couldn’t Settle Down With My Wife At Old Age – Bongos Ikwue

I’m working on what I call the Power of Zero, I don’t see how I can condense that into a song.

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I’m not a religious person, but I’m a total believer in God Almighty.

In this Channels Television interview , eighty-three-year-old legendary songwriter and composer, Bongos Ikwue, speaks about his songs, family, and other sundry issues.

You’re going to be 83 next month, on June 6. How are you doing, sir?

I guess I’m doing very well. I’m doing okay. I’m happy to be here. I’m happy to be with you, too.

One of the songs we know you for is Still Searching, and after a beautiful journey, your wife passed on, and then you did the song. I know this is one of the most painful experiences of your life, but it has also shaped you in some way or the other. Speak to us about that.

I don’t think any human is a robot. So, the consciousness of feeling and missing somebody is so profound, and it’s difficult to explain to anybody. My dear wife always told me something.

She always looked forward to the day when I stop running around the whole country and settle down at an old age so we could have a lot of time together. It’s very painful, it never did happen. When she passed on, I dedicated a song.

I’ll just draw an inference from your song, Still Searching, for the average Nigerian. So, some will say Nigerians are still searching for good governance or the very best of it.

What message do you have for the government yet again from the benefit of your wisdom?

It’s a very difficult question for me to answer because I know how little we know as humans.

Our knowledge is so infinitesimal. I don’t feel qualified to talk about anything because there’s so much that we don’t know about. Maybe the only reason I think I know is because I don’t know at all. But governance, to me, put very simply, means service.

Talking about service, service is the only commodity today for sale.

Service must also transcend into whoever is leading; any country must learn to render service first.

It takes a little to understand. Maybe I don’t quite understand what I’m talking about, but I can feel it. Once you’re unable to render service and you are just taking, that’s a problem.

Your life has been one of service. Hasn’t it?

To give is much more beautiful than to take. If you have ever given something to somebody who actually needed it at a particular time, the feeling is unbelievable to express.

Let’s talk about all the things you have given us – timeless hits. What are some of your fondest memories about your journey, your art, and all of that?

There are quite a lot of them, but when I first met my wife, I didn’t think she would say yes, and she did say yes.

That’s unbelievable, isn’t it? At that point, she looked so pretty, yeah. And I said to myself, “Is this really going to happen?” and it did happen.

There are still young people, by the way, who love your music. They were not born when you were performing or when you did those songs, but they listened to your song and they fell in love.

How do you feel about that?

I really don’t know. There are lots of things I don’t know, but I think it is the hand of the Almighty. What I don’t understand sometimes, I think God is the most complex of all beings.

He’s the ultimate mystery, we take him for granted.

I would say everything that happened to me carried the hand of providence along with it.

I’m not a religious person, but I’m a total believer in God Almighty. There are two different things, maybe we’ll talk about that later.

I don’t know if you still write music.

I’m working on what I call the Power of Zero, I don’t see how I can condense that into a song. They told us in school that zero is nothing. That’s not true; zero is not nothing. Zero is only zero.

The power of zero is the ultimate power. Zero is not greedy, if you divide anything by zero, you get infinity.

Zero is ruthless. If you multiply anything by zero, it takes it to a level, leaves it right there.

And zero is very humble, you can laugh at zero, but it remains zero, and it does all it has to do.

I believe that God Almighty assumed the humility of zero to be the Almighty God, and if you want to be like God, you have to become as humble as zero and completely do away with arrogance.

Are you going to write an album on this?

Some songs are impossible to write.

What I feel is so big, I don’t think I have the energy or the power to subdue it, particularly with the power of zero.

I started writing some songs from long time ago. I did a song called Man and Man. I said a man will steal from someone, and the same man will give to another.

How a man discovers arms and weapons and things for destruction, the same man struggles to develop medicine to cure.

So a man gives, a man takes, a man builds up, a man cuts down, and this has expressed the power of zero from the very beginning.

You also have a legacy, and I wonder what you want your legacy to be. What is that one thing that you want to be remembered for?

If only we knew how much we don’t know, humility will be the only legacy that I will call a legacy because there’s nothing we own, nothing we understand.

Even the Almighty has been warning us. He gave you two ears and one mouth – that means, listen more than talk, always. When you go to a place and all you’re doing is talking, you are failing yourself, you are failing everything.

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Google Launches Gemini Storybook for Nigerian children aged 6 and below

Storybook allows you to place a child directly at the centre of their own learning adventure, which is key to holding their attention and helping them grasp new concepts.

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Google has launched Storybook, a new feature within its Gemini app, aimed at providing a creative and interactive learning tool for Nigeria’s 39 million children aged six and under.

Taiwo Kola-Ogunlade, communications & public affairs manager for Google in West Africa, said that the AI-powered feature transforms simple prompts, personal photos, and children’s drawings into customised, narrated storybooks, bridging a critical gap in early childhood education through technology rooted in storytelling.

This launch provides a powerful new creative tool in Nigeria, a country with a rich and deep-rooted tradition of storytelling.

With a young population that includes approximately 39 million children aged six and under, the need for engaging and accessible educational content is more critical than ever.

Storybook is designed to help bridge this gap by empowering anyone to create personalised learning experiences.

“It addresses a real need for parents and educators who are looking for fresh ways to captivate the minds of our youngest learners. The challenge is often making education interactive and personal.

Storybook allows you to place a child directly at the centre of their own learning adventure, which is key to holding their attention and helping them grasp new concepts,” he said.

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Gen Z Slang: Bet, Simp, Glow Up and More

I’m Dead: When something’s really funny, Gen Z won’t just say “lol.” They’ll say “I’m dead,” meaning something is so funny it killed them with laughter, rather than just typing “lol.”

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image credit : howstuffworks

Language evolves, and Gen Z — born between the 1997 and 2012 — has introduced an entire dictionary of expressive, clever, and sometimes confusing slang.

These Gen Z slang terms dominate social media platforms, group chats, and online video game lobbies.

Here’s a breakdown of the phrases you’ll hear from this generation.

  1. 1. No Cap: Used to express truth, “no cap” means someone is being honest or serious. If you say, “This new song is fire, no cap,” you’re saying the song is great (fire) and you truly believe it.
  2. 2. Bet
  3. Bet is a casual way of saying “OK” or “I’m down.” It’s a quick response that shows agreement or enthusiasm. You might use it instead of “sure thing” in real life or online.
  4. 3. Simp
  5. Originating in Black American hip-hop slang, simp became a derogatory term for a man perceived as overly subservient to a woman in the hope of winning her affection. Saying, “You’re such a simp,” carries negative connotations, especially in a romantic relationship context.
  6. 4. Main Character
  7. To describe someone as the “main character” is to say they carry themselves like the star of a movie. It’s both a compliment and a slight knock, depending on tone — often used in social media captions and stories.
  8. 5. Glow Up
  9. A “glow up” refers to a transformation — usually physical or stylistic — that makes someone look or feel better than before. This phrase is a great example of Gen Z’s thirst for self-improvement and style.
  10. 6.Cringe
  11. Cringe is used to describe anything awkward, embarrassing, or trying too hard. If your Baby Boomer uncle uses Gen Z slang words unironically, that might earn a “yikes” or a full-on “big yikes” from the group.
  12. 7. Touch Grass
  13. A favorite insult among Gen Z, to tell someone to touch grass means they’re online too much and need to get back to real life. It’s a witty way to say “log off and go outside.”
  14. 8. Vibe Check
  15. “Vibe check” is all about gauging someone’s mood or the feel of a space. Passed the vibe check? You’re cool. Failed it? Time to reassess your energy.
  16. 9. Whole Meal
  17. Calling someone a whole meal is a step beyond calling them attractive. It’s a bold phrase used to express approval or attraction: “She’s not just cute, she’s a whole meal.
  18. 10. I’m Dead
  19. When something’s really funny, Gen Z won’t just say “lol.” They’ll say “I’m dead,” meaning something is so funny it killed them with laughter, rather than just typing “lol.”
  20. In other words, this is the Gen Z equivalent of using a crying-laughing emoji to show something is hilarious. It shows they’re expressing excitement and humor in a big way.
  21. Source: HowStuffWorks
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NFVCB June Films top by ROK Studios, Silverbird Distribution, and OSSYKing Movies

62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).

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• Nollywood films cast

The National Film and Video Censors Board (NFVCB) approved a total of 151 films for the month of June 2025 against 53 films earlier reported erroneously.

The approval also revealed the growing consistency of top production houses like ROK Studios, Silverbird Distribution, and OSSYKing Movies, which featured prominently in this month’s listings.

Breakdown of classifications from the Censors Board website shows that 71 were classified as rated-18 years, out of the 151 films approved.

62 films were rated 15, thirteen movies got an age 12- rating, 3 films were marked ‘G’ for general viewing and two of the movies were classified PG (Parental Guidance).

This classification points to a growing shift toward mature, emotionally complex storytelling, with 18-rated titles accounting for nearly half of the approved films.

This classification underscores a noticeable dominance of 18-rated titles and English-language productions.

It also reflects the increasing pace of local film production across regions and genres.

English-language productions accounted for the bulk of the approvals, continuing their stronghold as Nollywood’s dominant medium.

However, a fair share of Yoruba and Igbo titles also made the list, reaffirming the role of indigenous voices in the cinematic landscape.

Notably approved indigenous-language films include Obim (Igbo), Iyawo Eniyan and Ajegunle Lawa (Yoruba) and Itene (Idoma).

There was no hausa-language films approved during the month, marking a recurring gap in representation from the North.However, Itene produced in Idoma, was one of the few from the Middle Belt.Among studios with multiple entries include ROK Studios had a strong presence with films like Perfect Wife, Strings of Love, Hidden Truth and My Sugar Daddy, primarily rated 15 and 18.Silverbird Distribution secured approvals for Rebirth of King Kong and Jurassic World Rebirth, both notable for their international appeal.

OSSYKing Movies had a consistent output with Stray Bullet, Palace of Torment, and The Cost of a Lie, all within the 15–18 range.

The Executive Director of the NFVCB, Dr. Shaibu Husseini reaffirmed the Board’s stance on guiding responsible storytelling and content regulation.

“We are committed to encouraging stories that reflect Nigeria’s values and cultural richness while ensuring public safety through proper classification,” he said.

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