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It’s Painful I Couldn’t Settle Down With My Wife At Old Age – Bongos Ikwue

I’m working on what I call the Power of Zero, I don’t see how I can condense that into a song.

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I’m not a religious person, but I’m a total believer in God Almighty.

In this Channels Television interview , eighty-three-year-old legendary songwriter and composer, Bongos Ikwue, speaks about his songs, family, and other sundry issues.

You’re going to be 83 next month, on June 6. How are you doing, sir?

I guess I’m doing very well. I’m doing okay. I’m happy to be here. I’m happy to be with you, too.

One of the songs we know you for is Still Searching, and after a beautiful journey, your wife passed on, and then you did the song. I know this is one of the most painful experiences of your life, but it has also shaped you in some way or the other. Speak to us about that.

I don’t think any human is a robot. So, the consciousness of feeling and missing somebody is so profound, and it’s difficult to explain to anybody. My dear wife always told me something.

She always looked forward to the day when I stop running around the whole country and settle down at an old age so we could have a lot of time together. It’s very painful, it never did happen. When she passed on, I dedicated a song.

I’ll just draw an inference from your song, Still Searching, for the average Nigerian. So, some will say Nigerians are still searching for good governance or the very best of it.

What message do you have for the government yet again from the benefit of your wisdom?

It’s a very difficult question for me to answer because I know how little we know as humans.

Our knowledge is so infinitesimal. I don’t feel qualified to talk about anything because there’s so much that we don’t know about. Maybe the only reason I think I know is because I don’t know at all. But governance, to me, put very simply, means service.

Talking about service, service is the only commodity today for sale.

Service must also transcend into whoever is leading; any country must learn to render service first.

It takes a little to understand. Maybe I don’t quite understand what I’m talking about, but I can feel it. Once you’re unable to render service and you are just taking, that’s a problem.

Your life has been one of service. Hasn’t it?

To give is much more beautiful than to take. If you have ever given something to somebody who actually needed it at a particular time, the feeling is unbelievable to express.

Let’s talk about all the things you have given us – timeless hits. What are some of your fondest memories about your journey, your art, and all of that?

There are quite a lot of them, but when I first met my wife, I didn’t think she would say yes, and she did say yes.

That’s unbelievable, isn’t it? At that point, she looked so pretty, yeah. And I said to myself, “Is this really going to happen?” and it did happen.

There are still young people, by the way, who love your music. They were not born when you were performing or when you did those songs, but they listened to your song and they fell in love.

How do you feel about that?

I really don’t know. There are lots of things I don’t know, but I think it is the hand of the Almighty. What I don’t understand sometimes, I think God is the most complex of all beings.

He’s the ultimate mystery, we take him for granted.

I would say everything that happened to me carried the hand of providence along with it.

I’m not a religious person, but I’m a total believer in God Almighty. There are two different things, maybe we’ll talk about that later.

I don’t know if you still write music.

I’m working on what I call the Power of Zero, I don’t see how I can condense that into a song. They told us in school that zero is nothing. That’s not true; zero is not nothing. Zero is only zero.

The power of zero is the ultimate power. Zero is not greedy, if you divide anything by zero, you get infinity.

Zero is ruthless. If you multiply anything by zero, it takes it to a level, leaves it right there.

And zero is very humble, you can laugh at zero, but it remains zero, and it does all it has to do.

I believe that God Almighty assumed the humility of zero to be the Almighty God, and if you want to be like God, you have to become as humble as zero and completely do away with arrogance.

Are you going to write an album on this?

Some songs are impossible to write.

What I feel is so big, I don’t think I have the energy or the power to subdue it, particularly with the power of zero.

I started writing some songs from long time ago. I did a song called Man and Man. I said a man will steal from someone, and the same man will give to another.

How a man discovers arms and weapons and things for destruction, the same man struggles to develop medicine to cure.

So a man gives, a man takes, a man builds up, a man cuts down, and this has expressed the power of zero from the very beginning.

You also have a legacy, and I wonder what you want your legacy to be. What is that one thing that you want to be remembered for?

If only we knew how much we don’t know, humility will be the only legacy that I will call a legacy because there’s nothing we own, nothing we understand.

Even the Almighty has been warning us. He gave you two ears and one mouth – that means, listen more than talk, always. When you go to a place and all you’re doing is talking, you are failing yourself, you are failing everything.

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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Burna Boy Overtakes Tyla as Africa’s Most Streamed Artist on Spotify

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Nigerian Afrobeats superstar Burna Boy has reclaimed the top spot as Africa’s most streamed artist on Spotify, surpassing South African sensation Tyla in a major streaming milestone.

According to the latest Spotify data and charts tracking, Burna Boy (Damini Ebunoluwa Ogulu) has overtaken Tyla to lead the continent in key streaming metrics, including monthly listeners.

The Grammy-winning artist continues his dominance in 2026, building on his record-breaking 2025 performance where he amassed nearly 2 billion streams — the highest ever recorded for an African artist on the platform in a single year.

Burna Boy’s global appeal, driven by hits from his recent projects and consistent catalog performance, has propelled him ahead of Tyla, who had previously held strong positions in monthly listener counts.

This achievement underscores the continued rise of Afrobeats and African music on the world stage, with Nigerian artists dominating Spotify’s top African streaming rankings. Industry watchers note Burna Boy’s ability to maintain massive engagement across international audiences.

Fans and music enthusiasts have taken to social media to celebrate the feat, hailing the “African Giant” for flying the flag high. The development further cements Burna Boy’s status as one of the most influential voices in contemporary African music.

Spotify is yet to issue an official statement on the latest shift, but the numbers speak volumes about the fierce competition and growing global appetite for African sounds.

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