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Tragic Loss: Afrofuji Star Destiny Boy Passes Away at 22

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The Nigerian music industry is in mourning following the sudden death of rising Afrofuji and Afrobeats singer Afeez Adeshina, popularly known as Destiny Boy, at the age of 22.

The heartbreaking news broke earlier today when popular Instagram investigative journalist Temilola Sobola announced the singer’s passing on social media, writing: “Singer Destiny Boy has passed away.

May his soul Rest In Peace 🕊️.

”Destiny Boy, born in 2004, first gained widespread recognition in 2019 with his energetic Fuji-infused cover of Davido’s hit song “If.

“His unique blend of traditional Fuji rhythms with modern Afrobeats earned him a dedicated fanbase and established him as one of Nigeria’s most promising young talents in the genre often referred to as Afrofuji.

The young artist’s death comes just months after significant personal milestones. In November 2024, he joyfully welcomed his first child at the age of 20, and earlier that year in March 2024, he made headlines by proposing to his partner with a reportedly multi-million-naira diamond ring.

As of now, no official cause of death has been confirmed by the family, management, or credible authorities. While unverified reports and speculation including claims of a prolonged illness, vomiting blood, or other circumstances have circulated online, these remain unsubstantiated.

A viral video allegedly showing the singer’s remains has further fueled discussions and grief on social media.

Destiny Boy’s young wife was seen in a widely shared clip breaking down in tears, pleading “Afeez wake up” as she mourned the devastating loss, highlighting the profound personal impact on his family.

Fans and colleagues have flooded social media with tributes, shock, and reflections on life’s fragility. One emotional post read: “So tomorrow is not sure for anybody.

”The sudden passing marks a tragic end to a career that showed immense promise. Destiny Boy’s high-energy performances and distinctive sound had already taken him on tours across Africa and the UK.

Further details, including funeral arrangements, are expected as the family processes this immense loss. The music community and fans continue to send condolences to his loved ones, including his young child and wife, during this difficult time.

May his soul rest in peace. 🕊️

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Entertainment

Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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