Entertainment
SAINT OBI: Between his marriage and his death
Story by: Zik Zulu Okafor
His social life was blunted. Perhaps by his reticent disposition.His persona, two dimensional. To a distant public, he was upscale and cool. His manly bearing spoke loud. His onscreen image ironically amplified some idiosyncrasies; heroics, romantic adventures and traits that did not gel with the mortal privacy that eerily define his quiet and lonely life.
Saint Obi, real name, Obinna Nwafor, was shy, almost bordering on timidity and insecurity. He cherished the pleasantly tranquil interractions among a few friends. He would vanish at any outburst that could upset the poise of such small meetings. As he repeatedly told me, he just wanted to live a cool, quiet and fulfilled life.
But, has he lived this cool and fulfilled life he envisioned ? I have my doubts.
I tell Saint’s story here with painful tears in my eyes; because he was a star, a super star whose life turned out a gleam of irony .
Yet, it was this stardom that fetched him his much professed financially strong and powerful wife . And their wedding, that solemn ritual of love, would drastically alter the cause of his life and tragically yank him off the creative community that threw him up for the wife to capture and indeed conquer.
Their marriage was at best a dramatisation of love. It was quick. He barely told us that he found a wife. Then, the marriage happened. It was something of a mystique, only those involved understood the histrionics that played out . None of us who were his closest pals, who walked with him through the crucible to the crest of his career in Nollywood, was invited. The distance between us and the guy I admirably called Saint of the Storm had begun. This gulf would widen with each year. We saw him perhaps once in a year after this marriage.
And life actually seemed to have given him a fair shake of the dice. He dressed well, drove big cars and even his skin, in literal lingo, spelt wellness.
The Saint would be blessed with three beautiful children. But not one occasion were his friends in Nollywood invited for christening or birthday. We were told that his wife was of the topmost hierachy in telecom giant, MTN . But even if their celebrations were designed to be a rendezvous of the elites of the technocracies that his wife chiefly belonged, you expected that Saint would reach out to a few of his fellow creatives, for even if they would herald his small beginnings, there could be no tinge of shame to it because we all have our journeys and our stories. And even at that, the actor or cineaste in Nollywood is by no means poor.
But more tragic is the fact that his marriage did not only take away Obinna from his friends, it took him away from Nollywood. Saint stopped acting, absconded from his career and perhaps his calling.
It would seem prognostic now. Yes, because I recall leaving my house in Lagos Mainland for his massive office in Lekki, Victoria Island, Lagos. It was about six years ago. There, I demanded to know why my friend abandoned our industry. He told me with his usual shy expressions that he wanted to focus on some other businesses and also to work behind the camera. Because his visage was unconvincing to me, I told him in stark terms, that whatever his new vision and pursuits, he must not abandon the trade that made him who he was.
It took another three years for Saint to return to his homies. But when he did, some of the deeply disappointed ones sniggered behind him. This was because the simmering rumours of cracks in his marriage had hit home. And though secretive in his ways, he knew it was time to open up. And he did. “I do not know why my wife’s sibblings see me as a gold digger. They confront me, harass and fight me in my own matrimony. And my wife did nothing to stop them. I work hard, I earn my money. I have never depended on my wife”, he lamented, eyes blurred with tears. You could tell he was in deep pain. By the next visit, the Saint returned with a deep cut from knife on his left eye. His wife’s brothers, he said, scaled the wall fence of their house to attack him. They were captured by hidden closed-circuit television, CCTV, installed for surveillance and security, he revealed.
He reported them at the police station and subsequently acquired a gun to defend himself. This effectively marked the beginning of the end of his marriage and perhaps Saint Obi’s long walk to a sad end. He moved out of his marital home to a new house to begin the reconstruction of his destiny, alone without his wife and worse still without his three beautiful children.
Meanwhile, his wife went to the police to defend her sibblings using her financial power to manipulate the cause of justice, Saint stated unequivocally. The wife also sued for divorce, not in Lagos, but in Ogun state. As Saint put it, “It was to make the journey difficult for me. But I will not bend neither will I break. I will fight with my last blood to take custody of my children. They love me and they know it will be hard for me to live without them.The divorce is not an issue. My marriage has long been over”, he said with a mix of courage and a quaky heart that betrayed his distress.
About mid last year, however, Obinna took ill. But he told no one. He simply became scarce. He was in and out of hospital, we would later learn. He sold two of his three big SUVs to take proper care of his health and to acquire six camry cars he’d use for Uber. But his vanishing health continued unabated. He seemed to have a premonition of his own passing as he wept repeatedly about not seeing his children. He emaciated. Life took a grim picture. When I saw him by chance in January 2023, the dude called Saint looked 15 years older than his age. His macho cut had shrunk. His fat wallet was gone. What was left was only his fat will. His eyes seemed lost in their socket. This would be the last time I would see him.
Saint snuck out of Lagos to hang in with his sister in Jos. He told no one.
But a month ago, in April precisely, the once delightful actor who brought joy to many a home broke his icy silence. He called our mutual friend in US to give him a devastating message. He was on a deathbed, he said and wanted our friend to pray for him. “It’s not looking good, pray, pray for me”, he appealed passionately.
His next call came on May 1, 2023. This time to his mentor, the man who made him a star with his productions, Zeb Ejiro, OON. He told him with a wavering voice that he had had three surgeries but was still in hospital in Jos. He averred again that his situation was not looking good, that he is also in a deep pain, distressed that he could not see his children. But still he begged him not to tell anyone about his ailment. Such was the life of this creative hermit, a lonely trouper.
I was the first to hear the news of his death late on Sunday, May 7. Having confirmed it, I called Zeb Ejiro. “I have a very bad news my brother, Zeb”, I began.
“What is it, what is it, Zik Zulu?”, he asked anxiously. “A big star has fallen in Nollywood”. Zeb broke down in tears. I hadn’t said who it was. But sobbing helplessly now, he said, “Don’t tell me it is Saint Obi”.
Sadly, Zeb was right.
May his soul find peace.
*Zik Zulu Okafor is a veteran journalist, a film producer and a former President of Association of Movie Producers of Nigeria (AMP).
This piece also serves as a tribute to the late movie star, Obinna Nwafor, popularly known as Saint Obi, who was a bossom friend of the house.
Credit: Zik Zulu Okafor
Entertainment
Nollywood star Ricardo Agbor “I waited 18 years before I had twins”
Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.
Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.
The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.
Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.
“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.
Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.
“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.
” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.
Entertainment
Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony
WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard).
The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.
WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard).
The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.
In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.
Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.
True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.
As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.
Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.
For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.
The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.
(Credit: Leadership)
Entertainment
Burna Boy Overtakes Tyla as Africa’s Most Streamed Artist on Spotify
Nigerian Afrobeats superstar Burna Boy has reclaimed the top spot as Africa’s most streamed artist on Spotify, surpassing South African sensation Tyla in a major streaming milestone.
According to the latest Spotify data and charts tracking, Burna Boy (Damini Ebunoluwa Ogulu) has overtaken Tyla to lead the continent in key streaming metrics, including monthly listeners.
The Grammy-winning artist continues his dominance in 2026, building on his record-breaking 2025 performance where he amassed nearly 2 billion streams — the highest ever recorded for an African artist on the platform in a single year.
Burna Boy’s global appeal, driven by hits from his recent projects and consistent catalog performance, has propelled him ahead of Tyla, who had previously held strong positions in monthly listener counts.
This achievement underscores the continued rise of Afrobeats and African music on the world stage, with Nigerian artists dominating Spotify’s top African streaming rankings. Industry watchers note Burna Boy’s ability to maintain massive engagement across international audiences.
Fans and music enthusiasts have taken to social media to celebrate the feat, hailing the “African Giant” for flying the flag high. The development further cements Burna Boy’s status as one of the most influential voices in contemporary African music.
Spotify is yet to issue an official statement on the latest shift, but the numbers speak volumes about the fierce competition and growing global appetite for African sounds.
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