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SAINT OBI: Between his marriage and his death

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Story by: Zik Zulu Okafor

His social life was blunted. Perhaps by his reticent disposition.His persona, two dimensional. To a distant public, he was upscale and cool. His manly bearing spoke loud. His onscreen image ironically amplified some idiosyncrasies; heroics, romantic adventures and traits that did not gel with the mortal privacy that eerily define his quiet and lonely life.

Saint Obi, real name, Obinna Nwafor, was shy, almost bordering on timidity and insecurity. He cherished the pleasantly tranquil interractions among a few friends. He would vanish at any outburst that could upset the poise of such small meetings. As he repeatedly told me, he just wanted to live a cool, quiet and fulfilled life.

But, has he lived this cool and fulfilled life he envisioned ? I have my doubts.

I tell Saint’s story here with painful tears in my eyes; because he was a star, a super star whose life turned out a gleam of irony .

Yet, it was this stardom that fetched him his much professed financially strong and powerful wife . And their wedding, that solemn ritual of love, would drastically alter the cause of his life and tragically yank him off the creative community that threw him up for the wife to capture and indeed conquer.

Their marriage was at best a dramatisation of love. It was quick. He barely told us that he found a wife. Then, the marriage happened. It was something of a mystique, only those involved understood the histrionics that played out . None of us who were his closest pals, who walked with him through the crucible to the crest of his career in Nollywood, was invited. The distance between us and the guy I admirably called Saint of the Storm had begun. This gulf would widen with each year. We saw him perhaps once in a year after this marriage.

And life actually seemed to have given him a fair shake of the dice. He dressed well, drove big cars and even his skin, in literal lingo, spelt wellness.

The Saint would be blessed with three beautiful children. But not one occasion were his friends in Nollywood invited for christening or birthday. We were told that his wife was of the topmost hierachy in telecom giant, MTN . But even if their celebrations were designed to be a rendezvous of the elites of the technocracies that his wife chiefly belonged, you expected that Saint would reach out to a few of his fellow creatives, for even if they would herald his small beginnings, there could be no tinge of shame to it because we all have our journeys and our stories. And even at that, the actor or cineaste in Nollywood is by no means poor.

But more tragic is the fact that his marriage did not only take away Obinna from his friends, it took him away from Nollywood. Saint stopped acting, absconded from his career and perhaps his calling.

It would seem prognostic now. Yes, because I recall leaving my house in Lagos Mainland for his massive office in Lekki, Victoria Island, Lagos. It was about six years ago. There, I demanded to know why my friend abandoned our industry. He told me with his usual shy expressions that he wanted to focus on some other businesses and also to work behind the camera. Because his visage was unconvincing to me, I told him in stark terms, that whatever his new vision and pursuits, he must not abandon the trade that made him who he was.

It took another three years for Saint to return to his homies. But when he did, some of the deeply disappointed ones sniggered behind him. This was because the simmering rumours of cracks in his marriage had hit home. And though secretive in his ways, he knew it was time to open up. And he did. “I do not know why my wife’s sibblings see me as a gold digger. They confront me, harass and fight me in my own matrimony. And my wife did nothing to stop them. I work hard, I earn my money. I have never depended on my wife”, he lamented, eyes blurred with tears. You could tell he was in deep pain. By the next visit, the Saint returned with a deep cut from knife on his left eye. His wife’s brothers, he said, scaled the wall fence of their house to attack him. They were captured by hidden closed-circuit television, CCTV, installed for surveillance and security, he revealed.

He reported them at the police station and subsequently acquired a gun to defend himself. This effectively marked the beginning of the end of his marriage and perhaps Saint Obi’s long walk to a sad end. He moved out of his marital home to a new house to begin the reconstruction of his destiny, alone without his wife and worse still without his three beautiful children.

Meanwhile, his wife went to the police to defend her sibblings using her financial power to manipulate the cause of justice, Saint stated unequivocally. The wife also sued for divorce, not in Lagos, but in Ogun state. As Saint put it, “It was to make the journey difficult for me. But I will not bend neither will I break. I will fight with my last blood to take custody of my children. They love me and they know it will be hard for me to live without them.The divorce is not an issue. My marriage has long been over”, he said with a mix of courage and a quaky heart that betrayed his distress.

About mid last year, however, Obinna took ill. But he told no one. He simply became scarce. He was in and out of hospital, we would later learn. He sold two of his three big SUVs to take proper care of his health and to acquire six camry cars he’d use for Uber. But his vanishing health continued unabated. He seemed to have a premonition of his own passing as he wept repeatedly about not seeing his children. He emaciated. Life took a grim picture. When I saw him by chance in January 2023, the dude called Saint looked 15 years older than his age. His macho cut had shrunk. His fat wallet was gone. What was left was only his fat will. His eyes seemed lost in their socket. This would be the last time I would see him.

Saint snuck out of Lagos to hang in with his sister in Jos. He told no one.

But a month ago, in April precisely, the once delightful actor who brought joy to many a home broke his icy silence. He called our mutual friend in US to give him a devastating message. He was on a deathbed, he said and wanted our friend to pray for him. “It’s not looking good, pray, pray for me”, he appealed passionately.

His next call came on May 1, 2023. This time to his mentor, the man who made him a star with his productions, Zeb Ejiro, OON. He told him with a wavering voice that he had had three surgeries but was still in hospital in Jos. He averred again that his situation was not looking good, that he is also in a deep pain, distressed that he could not see his children. But still he begged him not to tell anyone about his ailment. Such was the life of this creative hermit, a lonely trouper.

I was the first to hear the news of his death late on Sunday, May 7. Having confirmed it, I called Zeb Ejiro. “I have a very bad news my brother, Zeb”, I began.

“What is it, what is it, Zik Zulu?”, he asked anxiously. “A big star has fallen in Nollywood”. Zeb broke down in tears. I hadn’t said who it was. But sobbing helplessly now, he said, “Don’t tell me it is Saint Obi”.

Sadly, Zeb was right.

May his soul find peace.

*Zik Zulu Okafor is a veteran journalist, a film producer and a former President of Association of Movie Producers of Nigeria (AMP).

This piece also serves as a tribute to the late movie star, Obinna Nwafor, popularly known as Saint Obi, who was a bossom friend of the house.

Credit: Zik Zulu Okafor

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‘God Took Him’ — Singer Niniola Announces Death of Husband Michael Ndika

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Nigerian Afro-house star Niniola Apata has announced the heartbreaking death of her husband, Michael Ndika, after 13 years of marriage.

The Grammy-nominated artist shared the sad news in a series of emotional Instagram Stories posted in the early hours of Wednesday, May 20, 2026.

“God took him,” Niniola wrote in one post. “My husband died,” she added in another, while expressing deep grief in a third: “God took him. 13 years. 13 f***ing years.”

Michael Ndika, also known as Big Mike or X.O, served as Niniola’s manager and was the Chief Executive Officer of NaijaReview, a multimedia platform promoting Afro-house and contemporary African music. The couple had kept their marriage largely private, surprising many fans who were unaware of the union.

No details have been released about the cause of Ndika’s death. Tributes and messages of condolence have poured in from fans, fellow artists, and the music community, including her sister, singer Teni.

Niniola, celebrated for hits like “Maradona” and her contributions to the Afro-house genre, is now receiving an outpouring of support as she mourns the loss of her longtime partner.

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Wizkid Becomes First African Artist to Surpass 11 Billion Spotify Streams

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Nigerian Afrobeats superstar Wizkid (Ayodeji Balogun) has etched his name deeper into music history, becoming the first African artist to surpass 11 billion total streams on Spotify across all credits.

The milestone was announced on Tuesday by music data platform Charts Africa, which noted that Wizkid has now claimed every major Spotify streaming benchmark for African artists—from 1 billion to 11 billion streams.

This latest achievement underscores Wizkid’s unparalleled dominance as the most-streamed African act on the platform. His catalog, boosted by global hits like “Essence” with Tems and his feature on Drake’s “One Dance,” continues to drive massive numbers. He also leads other top African acts, with Burna Boy at around 9.8 billion and Davido trailing further behind.

The timing coincides with the recent release of his collaboration “State of Mind” with DJ Tunez, which quickly racked up hundreds of thousands of streams. Industry observers project that Wizkid’s consistent daily streaming velocity will keep pushing his totals higher.

Fans and industry figures have flooded social media with congratulations, hailing the feat as a proud moment for Afrobeats and Nigerian music on the global stage. Wizkid’s previous breakthroughs, including becoming the first African artist to hit 10 billion streams earlier in 2026, had already positioned him as a continental trailblazer.

This 11 billion milestone further solidifies his status among the world’s streaming heavyweights and highlights the growing international commercial power of Afrobeats.

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NFVCB Approves 304 Nollywood’s New Films

English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.

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The National Film and Video Censors Board (NFVCB) declared that it approved and classified 304 films between January and April 2026.

In a statement, Director of Film Censorship and Classification at the board, Deborah Malgwi, said that the figure represented an increase from the 267 films classified during the same period in 2025.

Classification data released by the board shows that January 2026 recorded the highest number of approvals with 102 films, followed by 83 in February, 77 in March and 42 in April.

In comparison, the board classified 25 films in January 2025, 58 in February, 114 in March and 70 in April of the same year.

The statistics also showed that English-language productions dominated the industry with 201 films classified within the period under review. Igbo-language productions accounted for 44 films, while Yoruba recorded 42. Hindi films stood at nine, Hausa productions accounted for five, while Bini-language films recorded three classifications.

Further analysis indicated that most productions fell within the “15” and “18” age categories, reflecting prevailing themes in contemporary film productions.

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