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Gbenga Bada Urges NIJ Students: Embrace Passion, Professionalism in Entertainment Reporting

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Seasoned Nigerian entertainment journalist Gbenga Bada has called on students of the Nigerian Institute of Journalism (NIJ) to approach entertainment reporting with unwavering passion and strict adherence to professional standards.

Speaking at a recent engagement with students at the prestigious journalism institution in Ogba, Lagos, Bada, who serves as Assistant Entertainment Editor at *The Nation* newspaper, emphasized that the dynamic field of entertainment journalism demands more than mere reporting—it requires genuine enthusiasm and ethical rigor to stand out in an increasingly competitive media landscape.

“Entertainment reporting is not just about chasing headlines or celebrity gossip,” Bada reportedly told the aspiring journalists. “It thrives on passion for the arts, culture, and stories that shape our society, combined with the professionalism that ensures accuracy, fairness, and credibility.

“Bada, known for his in-depth coverage of Nigeria’s vibrant entertainment industry—including music, film, and celebrity features—drew from his extensive experience to inspire the students.

He highlighted the importance of building strong ethical foundations amid the rise of digital media and social platforms, where misinformation can spread rapidly.

The session, part of NIJ’s ongoing efforts to bridge the gap between academia and industry practice, resonated with attendees, who praised Bada’s practical insights into navigating the challenges and opportunities in entertainment journalism.

As Nigeria’s creative sector continues to grow globally, voices like Bada’s underscore the need for a new generation of reporters equipped not only with skills but with the drive to elevate the profession.

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Entertainment

Burna Boy Sets Record As African Artiste To Top Billboard Global 200 Chart

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S

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Popular Nigerian Afrobeats singer, Damini Ogulu, better known as Burna Boy, has made history as the first African artiste to top the Billboard Global 200 Songs chart.

The Grammy-multiple-award-winning singer achieved the feat after his collaborative World Cup song with Shakira, ‘Dai Dai’, peaked at number one on this chart this week.

The song is currently number one on both the Billboard Global 200 and Billboard Global 200 Exclusive U.S.

The song also moved up twelve places this week to reach a new peak of 55 on the Billboard U.S.Hot 100 chart .

(New Telegraph)

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Nollywood star Ricardo Agbor “I waited 18 years before I had twins”

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before they had twins.

The actor disclosed this during an interview with AfricanAList, where he reflected on his marriage, faith and the challenges he faced before he became a father.

Agbor said that he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said that he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

” So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

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Okonjo-Iweala Showcases Dance Skills As Igbo Masquerades Perform At WTO Open Day Ceremony

WTO Open Day was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

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The World Trade Organisation’s annual Open Day ceremony was fun as cultures collided, but one performance stole the entire afternoon.

WTO Open Day 2026 was observed on Sunday 5 July 2026, to mark the 100th anniversary of the WTO’s headquarters (Centre William Rappard). 

The crowd of international delegates, ambassadors, witnessed the rhythmic and unmistakable sound of the Ogene- a metal gong paired with the deep rattle of the Ichaka.

In a viral video, an Adamma masquerade, adorned in elaborate woven raffia and a beautifully carved maiden mask, strode into the centre of the square and moved with intricate footwork, stamping its feet to the escalating tempo of the drums, bringing the raw spirit of southeastern Nigeria straight into the heart of global governance.

Standing near the front of the pavilion was the WTO Director-General herself, Dr Ngozi Okonjo-Iweala.

True to her signature style, she wore a striking, impeccably tied gele paired with a silky gown.‎

As the masquerade swirled, its handlers gestured respectfully toward the Director-General, inviting her into the sacred circle. In Igbo tradition, a masquerade interacting with a leader is a sign of immense honour and spiritual blessing.

‎Dr. Okonjo-Iweala didn’t hesitate as she stepped forward into the open square. The crowd erupted in cheers as the DG immediately caught the rhythm. She matched the masquerade’s energy, rolling her shoulders and executing graceful, rhythmic steps that perfectly mirrored the cadence of the Ogene.

For a few beautiful minutes, the weight of global trade policies vanished, replaced by the universal language of dance.

The masquerade bowed low, spinning one last time in a flurry of colour before Dr Okonjo-Iweala waved gracefully back, her face lit with a broad smile. It was the perfect embodiment of the Open Day’s true purpose: breaking down institutional walls and proving that even in the world’s most serious rooms, cultural pride and joy have a vital seat at the table.

(Credit: Leadership)

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