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SAINT OBI: Between his marriage and his death

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Story by: Zik Zulu Okafor

His social life was blunted. Perhaps by his reticent disposition.His persona, two dimensional. To a distant public, he was upscale and cool. His manly bearing spoke loud. His onscreen image ironically amplified some idiosyncrasies; heroics, romantic adventures and traits that did not gel with the mortal privacy that eerily define his quiet and lonely life.

Saint Obi, real name, Obinna Nwafor, was shy, almost bordering on timidity and insecurity. He cherished the pleasantly tranquil interractions among a few friends. He would vanish at any outburst that could upset the poise of such small meetings. As he repeatedly told me, he just wanted to live a cool, quiet and fulfilled life.

But, has he lived this cool and fulfilled life he envisioned ? I have my doubts.

I tell Saint’s story here with painful tears in my eyes; because he was a star, a super star whose life turned out a gleam of irony .

Yet, it was this stardom that fetched him his much professed financially strong and powerful wife . And their wedding, that solemn ritual of love, would drastically alter the cause of his life and tragically yank him off the creative community that threw him up for the wife to capture and indeed conquer.

Their marriage was at best a dramatisation of love. It was quick. He barely told us that he found a wife. Then, the marriage happened. It was something of a mystique, only those involved understood the histrionics that played out . None of us who were his closest pals, who walked with him through the crucible to the crest of his career in Nollywood, was invited. The distance between us and the guy I admirably called Saint of the Storm had begun. This gulf would widen with each year. We saw him perhaps once in a year after this marriage.

And life actually seemed to have given him a fair shake of the dice. He dressed well, drove big cars and even his skin, in literal lingo, spelt wellness.

The Saint would be blessed with three beautiful children. But not one occasion were his friends in Nollywood invited for christening or birthday. We were told that his wife was of the topmost hierachy in telecom giant, MTN . But even if their celebrations were designed to be a rendezvous of the elites of the technocracies that his wife chiefly belonged, you expected that Saint would reach out to a few of his fellow creatives, for even if they would herald his small beginnings, there could be no tinge of shame to it because we all have our journeys and our stories. And even at that, the actor or cineaste in Nollywood is by no means poor.

But more tragic is the fact that his marriage did not only take away Obinna from his friends, it took him away from Nollywood. Saint stopped acting, absconded from his career and perhaps his calling.

It would seem prognostic now. Yes, because I recall leaving my house in Lagos Mainland for his massive office in Lekki, Victoria Island, Lagos. It was about six years ago. There, I demanded to know why my friend abandoned our industry. He told me with his usual shy expressions that he wanted to focus on some other businesses and also to work behind the camera. Because his visage was unconvincing to me, I told him in stark terms, that whatever his new vision and pursuits, he must not abandon the trade that made him who he was.

It took another three years for Saint to return to his homies. But when he did, some of the deeply disappointed ones sniggered behind him. This was because the simmering rumours of cracks in his marriage had hit home. And though secretive in his ways, he knew it was time to open up. And he did. “I do not know why my wife’s sibblings see me as a gold digger. They confront me, harass and fight me in my own matrimony. And my wife did nothing to stop them. I work hard, I earn my money. I have never depended on my wife”, he lamented, eyes blurred with tears. You could tell he was in deep pain. By the next visit, the Saint returned with a deep cut from knife on his left eye. His wife’s brothers, he said, scaled the wall fence of their house to attack him. They were captured by hidden closed-circuit television, CCTV, installed for surveillance and security, he revealed.

He reported them at the police station and subsequently acquired a gun to defend himself. This effectively marked the beginning of the end of his marriage and perhaps Saint Obi’s long walk to a sad end. He moved out of his marital home to a new house to begin the reconstruction of his destiny, alone without his wife and worse still without his three beautiful children.

Meanwhile, his wife went to the police to defend her sibblings using her financial power to manipulate the cause of justice, Saint stated unequivocally. The wife also sued for divorce, not in Lagos, but in Ogun state. As Saint put it, “It was to make the journey difficult for me. But I will not bend neither will I break. I will fight with my last blood to take custody of my children. They love me and they know it will be hard for me to live without them.The divorce is not an issue. My marriage has long been over”, he said with a mix of courage and a quaky heart that betrayed his distress.

About mid last year, however, Obinna took ill. But he told no one. He simply became scarce. He was in and out of hospital, we would later learn. He sold two of his three big SUVs to take proper care of his health and to acquire six camry cars he’d use for Uber. But his vanishing health continued unabated. He seemed to have a premonition of his own passing as he wept repeatedly about not seeing his children. He emaciated. Life took a grim picture. When I saw him by chance in January 2023, the dude called Saint looked 15 years older than his age. His macho cut had shrunk. His fat wallet was gone. What was left was only his fat will. His eyes seemed lost in their socket. This would be the last time I would see him.

Saint snuck out of Lagos to hang in with his sister in Jos. He told no one.

But a month ago, in April precisely, the once delightful actor who brought joy to many a home broke his icy silence. He called our mutual friend in US to give him a devastating message. He was on a deathbed, he said and wanted our friend to pray for him. “It’s not looking good, pray, pray for me”, he appealed passionately.

His next call came on May 1, 2023. This time to his mentor, the man who made him a star with his productions, Zeb Ejiro, OON. He told him with a wavering voice that he had had three surgeries but was still in hospital in Jos. He averred again that his situation was not looking good, that he is also in a deep pain, distressed that he could not see his children. But still he begged him not to tell anyone about his ailment. Such was the life of this creative hermit, a lonely trouper.

I was the first to hear the news of his death late on Sunday, May 7. Having confirmed it, I called Zeb Ejiro. “I have a very bad news my brother, Zeb”, I began.

“What is it, what is it, Zik Zulu?”, he asked anxiously. “A big star has fallen in Nollywood”. Zeb broke down in tears. I hadn’t said who it was. But sobbing helplessly now, he said, “Don’t tell me it is Saint Obi”.

Sadly, Zeb was right.

May his soul find peace.

*Zik Zulu Okafor is a veteran journalist, a film producer and a former President of Association of Movie Producers of Nigeria (AMP).

This piece also serves as a tribute to the late movie star, Obinna Nwafor, popularly known as Saint Obi, who was a bossom friend of the house.

Credit: Zik Zulu Okafor

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Madonna Returns To MTV Video Music Awards, After 23 years

She also enters this year’s ceremony with 11 nominations, the highest number received by any artist at the 2026 VMAs.

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Madonna is set to return to stage after 23 years, with the pop star scheduled to open the 2026 MTV Video Music Awards ceremony.

The performance is set for Sunday, September 27, 2026, marking Madonna’s first VMAs performance since 2003.

She first appeared at the inaugural ceremony in 1984, when she performed “Like a Virgin,” and has remained closely associated with the awards throughout her career.

Madonna’s return comes as she promotes Confessions II, a follow-up to her 2005 album Confessions on a Dance Floor.

The project has been supported by a series of events known as Club Confessions.

She also enters this year’s ceremony with 11 nominations, the highest number received by any artist at the 2026 VMAs.

Her nominations include Artist of the Year, Video of the Year, Best Direction, Best Cinematography, Best Choreography, Best Art Direction, Best Visual Effects and Best Editing. She is also nominated for Song of the Year and Best Collaboration for “Bring Your Love,” featuring Sabrina Carpenter.

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Olu Jacobs: His Life and Times

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Oludotun Baiyewu Jacobs, known professionally as Olu Jacobs (and affectionately as “Uncle Olu”), is one of Nigeria’s most respected and influential actors. Born on 11 July 1942 to Yoruba parents from Egba Alake (Abeokuta, Ogun State), he spent much of his early childhood in Kano. There he attended Holy Trinity School, where he joined the debating and drama societies. A formative moment came when he watched one of Hubert Ogunde’s travelling theatre performances at the Colonial Hotel in Kano; the experience convinced him that acting was his path.

His father strongly opposed the idea of acting as a career and tore up his application form for further studies abroad. With help from his elder brothers, Jacobs obtained a visa and left for England, training at the prestigious Royal Academy of Dramatic Art (RADA) in London. He later reflected that he never saw his father again after that departure.

Early Career Abroad

After training, Jacobs built a solid career in British theatre and television during the 1970s. He appeared in series including The Goodies, Till Death Us Do Part, Barlow at Large, The Venturers, Angels, The Tomorrow People, 1990, and The Professionals. On stage he played President Mageeba in Tom Stoppard’s Night and Day (1978). In the 1980s he moved into international cinema, taking roles in Ashanti (1979), John Irvin’s The Dogs of War (1980, as a customs officer opposite Christopher Walken and Tom Berenger), Baby: Secret of the Lost Legend (1985, as Col. Nsogbu), and Roman Polanski’s Pirates (1986, as Boomako). He also appeared in the children’s series The Witches and the Grinnygog.

Return to Nigeria and Nollywood

Jacobs returned to Nigeria around 1990 and starred as Inspector Best Idafa in the NTA detective series The Third Eye. He arrived just as the home-video boom that became Nollywood was taking shape. With classical training, a distinctive deep baritone, commanding presence, and professional discipline, he quickly became a pillar of the industry. He has appeared in well over 120 (some accounts say 200+) Nigerian films, frequently cast as kings, chiefs, elders, politicians, businessmen, or stern but principled fathers.

Notable Nollywood titles include:

  • Eye of the Gods (2004)
  • Lonely Heart / Dancing Heart (for which he won the Africa Movie Academy Award for Best Actor in a Leading Role in 2007)
  • Forest of Tears
  • Adesuwa (2012)
  • Potomanto (2013)
  • Dry (2014)
  • Oloibiri (2015)
  • The Royal Hibiscus Hotel (2017, which premiered at the Toronto International Film Festival)

He was especially known for regal “Igwe” or traditional-ruler roles in films such as The Kingmaker, Royal Doom, Royal Destiny, and Throne of Tears.

Personal Life and Mentorship

In 1989 Jacobs married fellow actress Joke Silva (they had met earlier while working on stage). The couple founded the Lufodo Group, which includes production and distribution arms and the Lufodo Academy of Performing Arts, through which they have trained many younger practitioners. They have two surviving sons, Olusoji and Olugbenga (a daughter, Dayo, died young). Jacobs has long insisted that Silva retain her professional name, stating that she remains her own individual.

In recent years Jacobs has lived with Lewy body dementia (publicly confirmed by his wife around 2021). False death rumours have circulated periodically; his family has repeatedly confirmed he is alive, most recently in 2024. As of 2026 he is 84.

Awards and Recognition

  • Africa Movie Academy Award for Best Actor in a Leading Role (2007, Dancing Heart)
  • Industry Merit Award, Africa Magic Viewers’ Choice Awards (2013)
  • Member of the Order of the Federal Republic (MFR), 2011
  • Lifetime Achievement Award, Africa Movie Academy Awards (2016)
  • Lifetime Achievement Award, Africa International Film Festival (AFRIFF, 2021)

Impact on the Nigerian Film Industry

Olu Jacobs is widely regarded as one of the “godfathers” of Nollywood (alongside figures such as Pete Edochie). His classical training and international experience raised professional standards at a time when the industry was still finding its feet. He brought gravitas, restraint, and emotional depth to roles that might otherwise have been one-dimensional, helping to legitimise Nigerian screen storytelling both at home and abroad.

He served as a living bridge between the older theatre generation (Ogunde and others) and the video-era stars who followed. Younger actors have repeatedly cited his discipline, preparation, and generosity as models. Through the Lufodo Academy and direct mentorship, he and Silva invested in the next generation of talent. His body of work demonstrated that African stories could be told with dignity, complexity, and technical craft, contributing to Nollywood’s growth into one of the world’s largest film industries by volume.

In short, Olu Jacobs’ career spans more than five decades, from British television and international cinema to the heart of Nollywood. He remains an enduring symbol of excellence, professionalism, and cultural contribution in Nigerian—and African—film.

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EXCLUSIVE: Veteran Nollywood Actor, Olu Jacobs Dies at 84

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Veteran Nollywood actor, Olu Jacobs is dead.

His death was announced to members of staff at the Nigerian Television Authority, (NTA) today by his close friend Mr. Demola Tejumola.

He said the actor finally died this morning, September 16th 2026 after long illness.

In his message to NTA staff, Ademola said: “What, can I say? Finally, he has gone home, to be with the Lord, and rest in eternal peace (free from any form of suffering). That’s the position, time to be born, and time to return to our Maker, now his time has come. So will it be also, for each of us. Dear Brother Olu, adieu, rest in perfect peace.

Olu Jacob’s was 84 years old, having been born on July 11, 1942.

A press statement has not yet been released by the family as of press time.

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